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" Once upon a time, there was a boy. He lived in a village that no longer exists, in a house that no longer exists, on the edge of a field that no longer exists, where everything was discovered, and everything was possible. A stick could be a sword, a pebble could be a diamond, a tree, a castle. Once upon a time, there was a boy who lived in a house across the field, from a girl who no longer exists. They made up a thousand games. She was queen and he was king. In the autumn light her hair shone like a crown. They collected the world in small handfuls, and when the sky grew dark, and they parted with leaves in their hair.Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. "
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" The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army.'Where are we?' asked Gil Gil.'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?''What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man.'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. (" The Friend of Death" ) "
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" Do you think God has a different purpose for every person,' Gisela asked, 'or is his purpose the same for everyone?'...'God wants us all to strive to grow more like Jesus, to become holy as he is holy, but God has a specific purpose for each person. How could it not be so? Everyone in a village cannot be a baker, because who would then make the candles or shoe the horses or grow the food? God says we are like a body. 'The eye cannot say to the hand, " I don't need you." And the head cannot say the feet, " I don't need you." ''Does the Bible say that?''Oh, yes, and it says, " Now you are the body of Christ, and each one of you is part of it." Just as the villagers are part of a village and have different tasks, we all have tasks to do for the Lord God. "
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" Three miles from my adopted city lies a village where I came to peace.The world there was a calm place, even the great Danube no more than a pale ribbon tossed onto the landscapeby a girl’s careless hand. Into this stillness I had been ordered to recover. The hills were gold with late summer;my rooms were two, plus a small kitchen, situated upstairs in the back of a cottage at the end of the Herrengasse. From my window I could see onto the courtyard where a linden tree twined skyward — leafy umbilicus canted toward light, warped in the very act of yearning —and I would feed on the sun as if that alone would dismantle the silence around me.At first I raged. Then music raged in me, rising so swiftly I could not write quickly enough to ease the roiling. I would stop to light a lamp, and whatever I’d missed — larks flying to nest, church bells, the shepherd’s home-toward-evening song — rushed in, and Iwould rage again. I am by nature a conflagration; I would rather leap than sit and be looked at.So when my proud city spread her gypsy skirts, I reentered, burning towards her greater, constant light.Call me rough, ill-tempered, slovenly— I tell you, every tenderness I have ever known has been nothing but thwarted violence, an ache so permanent and deep, the lightest touch awakens it. . . . It is impossible to care enough. I have returned with a second Symphony and 15 Piano Variationswhich I’ve named Prometheus,after the rogue Titan, the half-a-god who knew the worst sin is to take what cannot be given back.I smile and bow, and the world is loud. And though I dare not lean in to shout Can’t you see that I’m deaf? —I also cannot stop listening. "
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" What had she been thinking, suggesting to Alicia, of all people, that a time-travel app was the solution to the problems of women in poverty? 'Are you talking about my community? You didn't even think highly enough of me to let me in on your little scheme, and now you think it will be God's gift to throw a bunch of poor women through a wormhole every day so they can take care of their children and collect their welfare checks at the same time? That's your solution? Time travel is easier than passing affordable child care? Jennifer said nothing. Alicia, of course, was right. Years ago she had chosen to name the center It Takes a Village because, from the beginning, she had hated the every-person-for-herself attitude that isolated and blame so many of the residents the agency worked with. Yet she had just suggested that the answer to the multiplying burdens face by single mothers, in particular, was not for the village to gather around them, but for these women to multiply themselves instead. The same answer, she thought, that she had applied to herself when her own burdens had seemed too much to bear. "
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" Practical jokes are a demonstration that the distinction between seriousness and play is not a law of nature but a social convention which can be broken, and that a man does not always require a serious motive for deceiving another.
Two men, dressed as city employees, block off a busy street and start digging it up. The traffic cop, motorists and pedestrians assume that this familiar scene has a practical explanation – a water main or an electric cable is being repaired – and make no attempt to use the street. In fact, however, the two diggers are private citizens in disguise who have no business there.
All practical jokes are anti-social acts, but this does not necessarily mean that all practical jokes are immoral. A moral practical joke exposes some flaw of society which is hindrance to a real community or brotherhood. That it should be possible for two private individuals to dig up a street without being stopped is a just criticism of the impersonal life of a large city where most people are strangers to each other, not brothers; in a village where all inhabitants know each other personally, the deception would be impossible. "
― W.H. Auden , The Dyer's Hand
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" Once he traveled to a village to purchase a large rice harvest, but when he arrived the rice had already been sold to another tradesman. Nevertheless, Siddhartha remained in this village for several days; he arranged a feast for the peasants, distributed copper coins among their children, helped celebrate a marriage, and returned from his trip in the best of spirits.Kamaswami reproached him for not having returned home at once, saying he had wasted money and time.Siddhartha answered, " Do not scold me, dear friend! Never has anything been achieved by scolding. If there are losses, let me bear them. I am very pleased with this journey I made the acquaintance of many different people, a Brahmin befriended me, children rode on my knees, peasants showed me their fields, and no one took me for a tradesman." " How very lovely!" Kamaswami cried out indignantly. " But in fact a tradesman is just what you are! Or did you undertake this journey solely for your own pleasure?" " Certainly." Siddhartha laughed. " Certainly I undertook the journey for my pleasure. Why else? I got to know new people and regions, enjoyed kindness and trust, found friendship. You see, dear friend, had I been Kamaswami, I'd have hurried home in bad spirits the moment I saw my purchase foiled, and indeed money and time would have been lost. But by staying on as I did, I had some agreeable days, learned things, and enjoyed pleasures, harming neither myself nor others with haste and bad spirits. And if ever I should return to this place, perhaps to buy some future harvest or for whatever other purpose, I shall be greeted happily and in friendship by friendly people and I shall praise myself for not having displayed haste and displeasure on my first visit. So be content, friend, and do not harm yourself by scolding! When the day arrives when you see that this Siddhartha is bringing you harm, just say the word and Siddhartha will be on his way. But until that day, let us be satisfied with each other. "
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" I once went to report on a village in Russia, a community of
artists who were forced to flee the cities! I'd heard that paintings hung everywhere! I heard
you couldn't see the walls through all of the paintings! They'd painted the ceilings, the 82
plates, the windows, the lampshades! Was it an act of rebellion! An act of expression!
Were the paintings good, or was that beside the point! I needed to see it for myself, and I
needed to tell the world about it! I used to live for reporting like that! Stalin found out
about the community and sent his thugs in, just a few days before I got there, to break all
of their arms! That was worse than killing them! It was a horrible sight, Oskar: their arms
in crude splints, straight in front of them like zombies! They couldn't feed themselves, because they couldn't get their hands to their mouths! So you know what they did!'
'They starved?'
'They fed each other! That's the difference between heaven and hell! In hell we starve! In
heaven we feed each other! "
― Jonathan Safran Foer , Extremely Loud & Incredibly Close
