23
" Her father sat her down and spoke to her with great seriousness. " You are not a witch, Katerina. There is magic in the world, and some of it is wholesome, and some of it is not, but it is a thing that is in the blood, and it is not in yours." The foolish will always treat you badly, because they think you are not beautiful," he said, and she knew this was true. Plain Kate. She was a plain as a stick and thin as a stick and flat as a stick. Her nose was too long and her brows too strong. Her father kissed her twice, once above each brow. " We cannot help what fools think. But understand, it is your skill with a blade that draws this talk. If you want to give up your carving, you have my blessing." " I will never give it up," she answered. "
24
" The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe. "
― George Orwell , The Road to Wigan Pier
26
" He was as bold as a lion about it, and 'mightily convinced' not only himself, but everybody that heard him;—but then his idea of a fugitive was only an idea of the letters that spell the word,—or at the most, the image of a little newspaper picture of a man with a stick and bundle, with " Ran away from the subscriber" under it. The magic of the real presence of distress,—the imploring human eye, the frail, trembling human hand, the despairing appeal of helpless agony,—these he had never tried. He had never thought that a fugitive might be a hapless mother, a defenseless child,—like that one which was now wearing his lost boy's little well-known cap; and so, as our poor senator was not stone or steel,—as he was a man, and a downright noble-hearted one, too,—he was, as everybody must see, in a sad case for his patriotism. "
27
" This tiny, white-washed Infants' room was a brief but cosy anarchy. In that short time allowed us we played and wept, broke things, fell asleep, cheeked the teacher, discovered things we could do to each other, and exhaled our last guiltless days.My desk companions were those two blonde girls, already puppyishly pretty, whose names and bodies were to distract and haunt me for the next fifteen years of my life. Poppy and Jo were limper chums; they sat holding hands all day; and there was a female self-possession about their pink sticky faces that made me shout angrily at them.Vera was another I studied and liked; she was lonely, fuzzy and short. I felt a curious compassion for stumpy Vera; and it was through her, and no beauty, that I got into trouble and received the first public shock of my life. How it happened was simple, and I was innocent, so it seemed. She came up to me in the playground one morning and held her face close to mine. I had a stick in my hand, so I hit her on the head with it. Her hair was springy, so I hit her again and watched her mouth open up with a yell. To my surprise a commotion broke out around me, cries of scandal from the older girls, exclamations of horror and heavy censure mixed with Vera's sobbing wails. I was intrigued, not alarmed, that by wielding a beech stick I was able to cause such a stir. So I hit her again, without spite or passion, then walked off to try something else. "
32
" It was a pleasure to burn.
It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. "
― Ray Bradbury , Fahrenheit 451
34
" This one had come to me, though, picked me out. I thought she was trouble from the start. I don't read minds and I can't see the future, but call it instinct or experience, something was prickling my spine.You could call it something else, if you wanted: adolescence, hormones, lust. Being seventeen. That doesn't go away, however long you practice." Hullo," I said politely, warily.She was long and slim and very neatly put together, dark hair tumbling over denim, old worn black jacket and jeans that somehow hadn't faded into grey. They probably didn't dare. Right from the start I saw a focus in her, a determination that must go all the way through, like the writing in a stick of Brighton rock. In another world, another lifetime, I thought she'd have raven-feathers in her hair, a bear's tooth on a thong about her. She'd be the village shaman, talking to spirits, and even the headman would be afraid of her, a little...Seventeen, I told you. She was devastating to me, she was sitting at my table, and I couldn't afford her. Not for a minute.If I'd stood up, if I'd left, if I'd run away...Nah. She would just have come after me. Faster, fitter, and on longer legs. What chance did I ever have? "
37
" Ol' man Simon, planted a diamond. Grew hisself a garden the likes of none. Sprouts all growin' comin' up glowin' Fruit of jewels all shinin' in the sun. Colors of the rainbow. See the sun and the rain grow sapphires and rubies on ivory vines, Grapes of jade, just ripenin' in the shade, just ready for the squeezin' into green jade wine. Pure gold corn there, Blowin' in the warm air. Ol' crow nibblin' on the amnythyst seeds. In between the diamonds, Ol' man Simon crawls about pullin' out platinum weeds. Pink pearl berries, all you can carry, put 'em in a bushel and haul 'em into town. Up in the tree there's opal nuts and gold pears- Hurry quick, grab a stick and shake some down. Take a silver tater, emerald tomater, fresh plump coral melons. Hangin' in reach. Ol' man Simon, diggin' in his diamonds, stops and rests and dreams about one... real... peach. "
― Shel Silverstein , Where the Sidewalk Ends