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a series QUOTES

a series QUOTES

41 " In the first case it emerges that the evidence that might refute a theory can often be unearthed only with the help of an incompatible alternative: the advice (which goes back to Newton and which is still popular today) to use alternatives only when refutations have already discredited the orthodox theory puts the cart before the horse. Also, some of the most important formal properties of a theory are found by contrast, and not by analysis. A scientist who wishes to maximize the empirical content of the views he holds and who wants to understand them as clearly as he possibly can must therefore introduce other views; that is, he must adopt a pluralistic methodology. He must compare ideas with other ideas rather than with 'experience' and he must try to improve rather than discard the views that have failed in the competition. Proceeding in this way he will retain the theories of man and cosmos that are found in Genesis, or in the Pimander, he will elaborate them and use them to measure the success of evolution and other 'modern' views. He may then discover that the theory of evolution is not as good as is generally assumed and that it must be supplemented, or entirely replaced, by an improved version of Genesis. Knowledge so conceived is not a series of self-consistent theories that converges towards an ideal view; it is not a gradual approach to truth. It is rather an ever increasing ocean of mutually incompatible alternatives, each single theory, each fairy-tale, each myth that is part of the collection forcing the others in greater articulation and all of them contributing, via this process of competition, to the development of our consciousness. Nothing is ever settled, no view can ever be omitted from a comprehensive account. Plutarch or Diogenes Laertius, and not Dirac or von Neumann, are the models for presenting a knowledge of this kind in which the history of a science becomes an inseparable part of the science itself - it is essential for its further development as well as for giving content to the theories it contains at any particular moment. Experts and laymen, professionals and dilettani, truth-freaks and liars - they all are invited to participate in the contest and to make their contribution to the enrichment of our culture. The task of the scientist, however, is no longer 'to search for the truth', or 'to praise god', or 'to synthesize observations', or 'to improve predictions'. These are but side effects of an activity to which his attention is now mainly directed and which is 'to make the weaker case the stronger' as the sophists said, and thereby to sustain the motion of the whole. "

― Paul Karl Feyerabend , Against Method

42 " Science proceeds by inference, rather than by the deduction of mathematical proof. A series of observations is accumulated, forcing the deeper question: What must be true if we are to explain what is observed? What " big picture" of reality offers the best fit to what is actually observed in our experience? American scientist and philosopher Charles S. Peirce used the term " abduction" to refer to the way in which scientists generate theories that might offer the best explanation of things. The method is now more often referred to as " inference to the best explanation." It is now widely agreed to be the philosophy of investigation of the world characteristic of the natural sciences. "

43 " Without world unification the species would destroy itself by the enlarged powers that had come to it. This, said the men of science, is no theory, no political alternative; it is a statement of fact. Men had to pool their political, economic and educational lives. There was no other way for them but a series of degenerative phases leading very plainly to extinction. They could not revert now. They had to go on — up or down. They had gone too far with civilisation and in societies, to sink back into a merely “animal” life again. The hold of the primates on life had always been a precarious one. Except where they were under human protection all the other great apes were extinct. Now plainly man had to go on to a larger life, a planetary existence, or perish in his turn. "

― H.G. Wells , The Holy Terror

44 " A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs. I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work. Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral port "

45 " What in the world would ever lead to me believe that life is a series of opportunities that are readily available to everyone else but me? What really leads me to believe such an atrocious lie is that I don’t believe in myself sufficiently to engage those opportunities in the first place. "

― Craig D. Lounsbrough

46 " We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over. "

― Ray Bradbury , Fahrenheit 451

47 " She said once that time is nothing to me but a series of bookmarks that I use to jump back and forth through the text of my life, returning again and again to the events that mark me in the eyes of my more astute colleagues, as bearing all the characteristics of the classic melancholic. "

― Dennis Lehane , Shutter Island

48 " You can't even communicate in English. Real life is not a series of levels. "

― Sophie Kinsella , Finding Audrey

49 " Stripped to its essence, combat is a series of quick decisions and rather precise actions carried out in concert with ten or twelve other men. In that sense it’s much more like football than, say, like a gang fight. The unit that choreographs their actions best usually wins. They might take casualties, but they win. That choreography—you lay down fire while I run forward, then I cover you while you move your team up—is so powerful that it can overcome enormous tactical deficits. There is choreography for storming Omaha Beach, for taking out a pillbox bunker, and for surviving an L-shaped ambush at night on the Gatigal. The choreography always requires that each man make decisions based not on what’s best for him, but on what’s best for the group. If everyone does that, most of the group survives. If no one does, most of the group dies. That, in essence, is combat. "

― Sebastian Junger , War

50 " A civil war is, may we say, the prototype of all war, for in the persons of fellow citizens who happen to be the enemy we meet again, with the old ambivalence of love and hate and with all the old guilts, the blood brothers of our childhood. In a civil war – especially in one such as this when the nation shares deep and significant convictions and is not a mere handbasket of factions huddled arbitrarily together by historical happen-so – all the self-divisions of conflicts within individuals become a series of mirrors in which the plight of the country is reflected, and the self-division of the country a great mirror in which the individual may see imaged his own deep conflicts, not only the conflicts of political loyalties, but those more profoundly personal. "

― Robert Penn Warren , The Legacy of the Civil War

51 " Because I am an officer and a gentleman they have given me my notebooks, pen, ink and paper. So I write and wait. I am committed to no cause, I love no living person. The fact that I have no future except what you can count in hours doesn't seem to disturb me unduly. After all, the future whether here or there is equally unknown. So for the waiting days I have only the past to play about with. I can juggle with a series of possibly inaccurate memories, my own interpretation, for what is worth, of events. There is no place for speculation or hope, or even dreams. Strangely enough I think I like it like that. "

52 " Look," Peter said.To the north was a series of vast grassy plains, and there, just looking like specks at first, was a herd of horses, a species that in Neverland had never been tamed. They were beautiful, flashes of brown and black and tan, their coats gleaming. There was no reason for them to be running that Tiger Lily could see. It was likely that they just loved to run." That's what I want my life to be," Peter said, staring down at the horses.Tiger Lily sank against him and watched the herd, and thought that was what she wanted too. "

53 " So, great. This is Camp…what do you call it? Camp Fish-Blood?”
Aphros frowned. “I hope that was a joke. This is Camp __________.” He made a sound that was a series of sonar pings and hisses. "

― Rick Riordan , The Mark of Athena (The Heroes of Olympus, #3)

54 " ...a kid, maybe eight years old, ran up and poked her in the ribs with a plastic laser weapon, making electric zinging noises as he repeatedly pulled the trigger. “You’re dead,” he said victoriously. His mother came hurrying up, looking harassed and helpless. “Damian, stop that!” She gave him a smile that was little more than a grimace. “Don’t bother the nice people.” “Shut up,” he said rudely. “Can’t you see they’re Terrons from Vaniot.”
The kid poked her in the ribs again. “Ouch!” He made those zinging noises again, taking great pleasure in her discomfort. She plastered a big smile on her face and leaned down closer to precious Damian, then cooed in her most alienlike voice, “Oh, look, a little earthling.” She straightened and gave Sam a commanding look. “Kill it.” Damian’s mouth fell open. His eyes went as round as quarters as he took in the big pistol on Sam’s belt. From his open mouth began to issue a series of shrill noises that sounded like a fire alarm. Sam cursed under his breath, grabbed Jaine by the arm, and began tugging her at a half-trot toward the front of the store. She managed to snag her purse from the buggy as she went past.
“Hey, my groceries!” she protested. “You can spend another three minutes in here tomorrow and get them,” he said with pent-up violence. “Right now I’m trying to keep you from getting arrested.”
“For what?” she asked indignantly as he dragged her out of the automatic doors. People were turning to look at them, but most were following the sounds of Damian’s shrieks to aisle seven. “How about threatening to kill that brat and causing a riot?”
“I didn’t threaten to loll him! I just ordered you to. "

― Linda Howard , Mr. Perfect

55 " In my desperation to try to lull myself into a gentle sloom, I have created a list of things that will often assist my descent into delicious treacle-sleep. The list includes a series of things I can do if I go to bed and wake up early, and includes things like playing games and reading books, but one item that continually seems to work is telling myself:

The faster I go to sleep, the faster I can have cookies for breakfast.

This idea might seem rudimentary, but it staves off the sulks long enough that I can find a few hours of sleep, even on the hottest of days. If only Biscuit Power worked for other insomniacs, cookies might save humanity from itself. "

― Michelle Franklin , I Hate Summer: My tribulations with seasonal depression, anxiety, plumbers, spiders, neighbours, and the world.

56 " Taken together, New Labour policies have helped to build a series of overlapping chav caricatures: the feckless, the non-aspirational, the scrounger, the dysfunctional and the disorderly. To hear this sort of rhetoric from Labour, rather than the Tories, has confirmed the stereotypes and prejudices many middle-class people have about working-class communities and individuals. But it can be far subtler than outright attacks. Many of New Labour's underlying philosophies were steeped in middle-class triumphalism. They were based on the assumption that the tattered remnants of the working-class were are on the wrong side of history - and must be made to join 'Middle England' like the rest of us. "

― Owen Jones , Chavs: The Demonization of the Working Class

57 " The danger we face does not come from religion. It comes from a growing intellectual bankruptcy that is one of the symptoms of a dying culture. In ancient Rome, as the republic disintegrated and the Caesars were deified, as the Roman Senate became little more than an echo chamber of the emperor, the population’s attention was diverted by a series of frontier wars and violent and elaborate spectacles in the arena. The excitement of entertainment consumed ancient Rome’s emotional and intellectual life. It poisoned civic and political discourse. Social critics no longer had a form in which to speak. They were answered with ridicule and rage. It was not prerogative of the citizen to think. "

― Chris Hedges , I Don't Believe in Atheists

58 " He came away with an exasperated sense of failure. He denounced parliamentary government root and branch that night. Parliament was doomed. The fact that it had not listened to Rud was only one little conclusive fact in a long indictment. " It has become a series of empty forms," he said. " All over the world, always, the sawdust of reality is running out of the shapes of quasi-public things. Not one British citizen in a thousand watches what is done in Parliament; not one in a thousand Americans follows the discourses of Congress. Interest has gone. Every election in the past thirty years has been fought on gross misunderstandings. "

59 " Men's lives are not progressions, as conventionally rendered in history paintings, nor are they a series of facts that may be enumerated & in their proper order understood. Rather they are a series of transformations, some immediate & shocking, some so slow as to be imperceptible, yet so complete & horrifying that at the end of his life a man may search his memory in vain for a moment of correspondence between his self in his dotage & him in his youth. "

― Richard Flanagan , Gould's Book of Fish: A Novel in Twelve Fish

60 " The only absolute truth is change, and death is the only way to stop change. Life is a series of judgments on changing situations, and no ideal, no belief fits every solution. Yet humans need to believe in something beyond themselves. Perhaps all intelligences do. If we do not act on higher motivations, then we can justify any action, no matter how horrible, as necessary for our survival. We are endlessly caught between the need for high moral absolutes—which will fail enough that any absolute can be demonstrated as false—and our tendency for individual judgments to degenerate into self-gratifying and unethical narcissism. Trying to force absolutes on others results in death and destruction, yet failing to act beyond one's self also leads to death and destruction, generally a lot sooner. "

― L.E. Modesitt Jr. , The Parafaith War (Parafaith, #1)