21
" The monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open.
And so I think what a miracle it would be if this miracle which man attends eternally should turn out to be nothing more than these two enormous turds which the faithful disciple dropped in the bidet. What if at the last moment, when the banquet table is set and the cymbals clash, there should appear suddenly,
and wholly without warning, a silver platter on which even the blind could see that there is nothing more, and nothing less, than two enormous lumps of shit. That, I believe would be more miraculous than anything which man has looked forward to. It would be miraculous because it would be undreamed of.
It would be more miraculous than even the wildest dream because anybody could imagine the possibility but nobody ever has, and probably nobody ever again will.
Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of
everything, I felt relieved, felt as though a great burden had been lifted from my shoulders.
At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let
myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself
was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone
than at this very moment. "
― Henry Miller , Tropic of Cancer (Tropic, #1)
22
" There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambience which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends.
And the more substantial, the more solid the core of me became, the more delicate and extravagant appeared the close, palpable reality out of which I was being squeezed. In the measure that I became more and more metallic, in the same measure the scene before my eyes became inflated. The state of tension was so finely drawn now that the introduction of a single foreign particle, even a microscopic particle, as I say, would have shattered everything. For the fraction of a second perhaps I experienced that utter clarity which the epileptic, it is
said, is given to know. In that moment I lost completely the illusion of time and space: the world unfurled its drama simultaneously along a meridian which had no axis. In this sort of hair-trigger eternity I felt that everything was justified, supremely justified; I felt the wars inside me that had left behind this pulp and wrack; I felt the crimes that were seething here to emerge tomorrow in blatant screamers; I felt the misery that was grinding itself out with pestle and mortar, the long dull misery that dribbles away in dirty handkerchiefs.
On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a
phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open. "
― Henry Miller , Tropic of Cancer (Tropic, #1)
31
" Look, look, we tell each other. It's Tom!He's Mr. Bellamy to his history students. But he's Tom to us. Tom! It's so good to see him. So wonderful to see him. Tom is one of us. Tom went through it all with us. Tom made it through. He was there in the hospital with so many of us, the archangel of St. Vincent's, our healthier version, prodding the doctors and calling over the nurses and holding our hands and holding the hands of our partners, our parents, our little sisters - anyone who had a hand to be held. He had to watch so many of us die, had to say goodbye so many times. Outside of our rooms he would get angry, upset, despairing. But when he was with us, it was like he was powered solely by an engine of grace. Even the people who loved us would hesitate at first to touch us - more from the shock of our diminishment, from the strangeness of how we were both gone and present, not who we were but still who we were. Tom became used to this. First because of Dennis, the way he stayed with Dennis until the very end. He could have left after that, after Dennis was gone. We wouldn't have blamed him. But he stayed. When his friends got sick, he was there. And for those of us he'd never know before - he was always a smile in the room, always a touch on the shoulder, a light flirtation that we needed. The y should have made him a nurse. They should have made him mayor. He lost years of his life to us, although that's not the story he'd tell. He would say he gained. And he'd say he was lucky, because when he came down with it, when his blood turned against him, it was a little later on and the cocktail was starting to work. So he lived. He made it to a different kind of after from the rest of us. It is still an after. Every day if feel to him like an after. But he is here. He is living.A history teacher. An out, outspoken history teacher. The kind of history teacher we never would have had. But this is what losing most of your friends does: It makes you unafraid. Whatever anyone threatens, whatever anyone is offended by, it doesn't matter, because you have already survived much, much worse. In fact, you are still surviving. You survive every single, blessed day.It makes sense for Tom to be here. It wouldn't be the same without him.And it makes sense for him to have taken the hardest shift. The night watch.Mr. Nichol passes him the stopwatch. Tom walks over and says hello to Harry and Craig. He's been watching the feed, but it's even more powerful to see these boys in person. He gestures to them, like a rabbi or a priest offering a benediction." Keep going," he says. " You're doing great." Mrs. Archer, Harry's next-door neighbor, has brought over coffee, and offers Tom a cup. He takes it gratefully.He wants to be wide awake for all of this.Every now and then he looks to the sky. "
33
" He was a priest now, pagan, half-naked in the night, performing obscure rites of interment. Or he was the lead player in his own novel, or in one of those new arcade games William loved, compelled to repeat some totemic motion until he got it right. Only once did he feel, as he had on New Year's Eve, that someone was standing among the trees, watching. Well, let him watch, damn it. Something was being enacted here, as if it had been this deeper mission calling Mercer home all along. And now that he'd completed it, maybe he would be allowed to advance through to the next level, to a world where no one got shot. "
― Garth Risk Hallberg , City on Fire
