63
" I’m trying to help,” Albert said.
“By paying him with beer?”
“I paid him what he wanted, and Sam was okay with it. You were at the meeting,” Albert said. “Look, how else do you think you get someone like Orc to spend hours in the hot sun working? Astrid seems to think people will work just because we ask them to. Maybe some will. But Orc?”
Lana could see his point. “Okay. I shouldn’t have jumped all over you.”
“It’s okay. I’m getting used to it,” Albert said. “Suddenly I’m the bad guy. But you know what? I didn’t make people the way they are. If kids are going to work, they’re going to want something back.”
“If they don’t work, we all starve.”
“Yeah. I get that,” Albert said with more than a tinge of sarcasm. “Only, here’s the thing: Kids know we won’t let them starve as long as there’s any food left, right? So they figure, hey, let someone else do the work. Let someone else pick cabbages and artichokes.”
Lana wanted to get back to her run. She needed to finish, to run to the FAYZ wall. But there was something fascinating about Albert. “Okay. So how do you get people to work?”
He shrugged. “Pay them.”
“You mean, money?”
“Yeah. Except guess who had most of the money in their wallets and purses when they disappeared? Then a few kids stole what was left in cash registers and all. So if we start back using the old money we just make a few thieves powerful. It’s kind of a problem.”
“Why is a kid going to work for money if they know we’ll share the food, anyway?” Lana asked.
“Because some will do different stuff for money. I mean, look, some kids have no skills, right? So they pick the food for money. Then they take the money and spend it with some kid who can maybe cook the food for them, right? And that kid maybe needs a pair of sneakers and some other kid has rounded up all the sneakers and he has a store.”
Lana realized her mouth was open. She laughed. The first time in a while.
“Fine. Laugh,” Albert said, and turned away.
“No, no, no,” Lana hastened to say. “No, I wasn’t making fun of you. It’s just that, I mean, you’re the only kid that has any kind of a plan for anything. "
― Michael Grant , Hunger (Gone, #2)
64
" One day we took the children to see a goldsmith refine gold after the ancient manner of the East. He was sitting beside his little charcoal fire. (" He shall sit as a refiner" ; the gold- or silversmith never leaves his crucible once it is on the fire.) In the red glow lay a common curved roof tile; another tile covered it like a lid. This was the crucible. In it was the medicine made of salt, tamarind fruit and burnt brick dust, and imbedded in it was the gold. The medicine does its appointed work on the gold, " then the fire eats it," and the goldsmith lifts the gold out with a pair of tongs, lets it cool, rubs it between his fingers, and if not satisfied puts it back again in fresh medicine. This time he blows the fire hotter than it was before, and each time he puts the gold into the crucible, the heat of the fire is increased; " it could not bear it so hot at first, but it can bear it now; what would have destroyed it then helps it now." " How do you know when the gold is purified?" we asked him, and he answered, " When I can see my face in it [the liquid gold in the crucible] then it is pure. "
68
" Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him. "
― Jennifer Egan , A Visit from the Goon Squad
76
" I was about 12 years old and I was sitting watching the television and it was some kind of talent show, you know, and on marches this monkey, this ape, in a pair of red-checked trousers with a little matching jacket holding a ukelele and it started jigging around playing it, and it was looking straight into the camera, straight at me, and I remember thinking, that's it, that'll be me, you know, that'll be me. "
― Nick Cave
