1
" You know what I think?" she says. " That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel. "
2
" Along with the standard computer warranty agreement which said that if the machine 1) didn't work, 2) didn't do what the expensive advertisements said, 3) electrocuted the immediate neighborhood, 4) and in fact failed entirely to be inside the expensive box when you opened it, this was expressly, absolutely, implicitly and in no event the fault or responsibility of the manufacturer, that the purchaser should consider himself lucky to be allowed to give his money to the manufacturer, and that any attempt to treat what had just been paid for as the purchaser's own property would result in the attentions of serious men with menacing briefcases and very thin watches. Crowley had been extremely impressed with the warranties offered by the computer industry, and had in fact sent a bundle Below to the department that drew up the Immortal Soul agreements, with a yellow memo form attached just saying: 'Learn, guys... "
― Terry Pratchett , Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch
4
" He who becomes the slave of habit,who follows the same routes every day,who never changes pace,who does not risk and change the color of his clothes,who does not speak and does not experience,dies slowly.He or she who shuns passion,who prefers black on white,dotting ones " it’s" rather than a bundle of emotions, the kind that make your eyes glimmer,that turn a yawn into a smile,that make the heart pound in the face of mistakes and feelings,dies slowly.He or she who does not turn things topsy-turvy,who is unhappy at work,who does not risk certainty for uncertainty,to thus follow a dream,those who do not forego sound advice at least once in their lives,die slowly.He who does not travel, who does not read,who does not listen to music,who does not find grace in himself,she who does not find grace in herself,dies slowly.He who slowly destroys his own self-esteem,who does not allow himself to be helped,who spends days on end complaining about his own bad luck, about the rain that never stops,dies slowly.He or she who abandon a project before starting it, who fail to ask questions on subjects he doesn't know, he or she who don't reply when they are asked something they do know,die slowly.Let's try and avoid death in small doses,reminding oneself that being alive requires an effort far greater than the simple fact of breathing.Only a burning patience will leadto the attainment of a splendid happiness. "
5
" Will those insights be tested,or simply used to justify the status quo and reinforce prejudices? When I consider the sloppy and self-serving ways that companies use data, I'm often reminded of phrenology, a pseudoscience that was briefly the rage in the nineteenth century. Phrenologists would run their fingers over the patient's skull, probing for bumps and indentations. Each one, they thought, was linked to personality traits that existed in twenty-seven regions of the brain. Usually the conclusion of the phrenologist jibed with the observations he made. If the patient was morbidly anxious or suffering from alcoholism, the skull probe would usually find bumps and dips that correlated with that observation - which, in turn, bolstered faith in the science of phrenology. Phrenology was a model that relied on pseudoscientific nonsense to make authoritative pronouncements, and for decades it went untested. Big Data can fall into the same trap. Models like the ones that red-lighted Kyle Behm and black-balled foreign medical students and St. George's can lock people out, even when the " science" inside them is little more than a bundle of untested assumptions. "
6
" Will those insights be tested, or simply used to justify the status quo and reinforce prejudices? When I consider the sloppy and self-serving ways that companies use data, I'm often reminded of phrenology, a pseudoscience that was briefly the rage in the nineteenth century. Phrenologists would run their fingers over the patient's skull, probing for bumps and indentations. Each one, they thought, was linked to personality traits that existed in twenty-seven regions of the brain. Usually the conclusion of the phrenologist jibed with the observations he made. If the patient was morbidly anxious or suffering from alcoholism, the skull probe would usually find bumps and dips that correlated with that observation - which, in turn, bolstered faith in the science of phrenology. Phrenology was a model that relied on pseudoscientific nonsense to make authoritative pronouncements, and for decades it went untested. Big Data can fall into the same trap. Models like the ones that red-lighted Kyle Behm and black-balled foreign medical students and St. George's can lock people out, even when the " science" inside them is little more than a bundle of untested assumptions. "
7
" Every time you open a book for the first time, there is something akin to safe-breaking about it. Yes, that's exactly it: the frantic reader is like a burglar who has spent hours digging a tunnel to enter the strongroom of a bank. He emerges face to face with hundreds of strongboxes, all identical, and opens them one by one. And each time a box is opened, it loses its anonymity and becomes unique: one is filled with paintings, another with a bundle of banknotes, a third with jewels or letters tied in ribbon, engravings, objects of no value at all, silverware, photos, gold sovereigns, dried flowers, files of paper, crystal glasses, or children’s toys--and so on. There is something intoxicating about opening a new one, finding its contents and feeling overjoyed that in a trice one is no longer in front of a set of boxes, but in the presence of the riches and wretched banalities that make up human existence. "
― Jacques Bonnet , Phantoms on the Bookshelves
11
" The true meaning of money yet remains to be popularly explained and comprehended. When each individual realises for himself that this thing primarily stands for and should only be accepted as a moral due - that it should be paid out as honestly stored energy, and not as a usurped privilege - many of our social, religious, and political troubles will have permanently passed. As for Carrie, her understanding of the moral significance of money was the popular understanding, nothing more. The old definition: 'Money: something everybody else has and I must get,' would have expressed her understanding of it thoroughly. Some of it she now held in her hand - two soft, green ten-dollar bills - and she felt that she was immensely better off for the having of them. It was something that was power in itself. One of her order of mind would have been content to be cast away upon a desert island with a bundle of money, and only the long strain of starvation would have taught her that in some cases it could have no value. Even then she would have had no conception of the relative value of the thing; her one thought would, undoubtedly, have concerned the pity of having so much power and the inability to use it. "
― Theodore Dreiser
13
" A lot of people will ask me “Whats depression like?”. Its the same answer every time. “Its shitty...”. But you know whats its really like? Its like a bundle of dark clouds falling over your head, raining constantly. So your drenched. You cant function properly, you can’t do the things you love because your fingers slip and you mess up. Your clothes metaphorically are like your life, you try to change them, but they only stay dry for a few seconds, then its the same old story all over again. And no one, I repeat no one, wants to be near you. Your a wet, soaking, depressed and helpless kitten lost in depressions firm grip. Its like a stalker, it follows you. Everywhere you go, Its waiting for you. You can’t leave it. You can’t ignore it. Its always there. Thats what makes it so scary. You can never get away from it, unless, someone pushes those fiery and dark clouds away. If their willing to sacrifice everything just to make you happy. Even if that means taking those clouds upon themselves. "
15
" Die slowlyHe who becomes the slave of habit,who follows the same routes every day,who never changes pace,who does not risk and change the color of his clothes,who does not speak and does not experience,dies slowly.He or she who shuns passion,who prefers black on white,dotting ones " it’s" rather than a bundle of emotions, the kind that make your eyes glimmer,that turn a yawn into a smile,that make the heart pound in the face of mistakes and feelings,dies slowly.He or she who does not turn things topsy-turvy,who is unhappy at work,who does not risk certainty for uncertainty,to thus follow a dream,those who do not forego sound advice at least once in their lives,die slowly.He who does not travel, who does not read,who does not listen to music,who does not find grace in himself,she who does not find grace in herself,dies slowly.He who slowly destroys his own self-esteem,who does not allow himself to be helped,who spends days on end complaining about his own bad luck, about the rain that never stops,dies slowly.He or she who abandon a project before starting it, who fail to ask questions on subjects he doesn't know, he or she who don't reply when they are asked something they do know,die slowly.Let's try and avoid death in small doses,reminding oneself that being alive requires an effort far greater than the simple fact of breathing.Only a burning patience will leadto the attainment of a splendid happiness. "
16
" Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that " Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music! "