Home > Author > Jacques Bonnet
1 " Every time you open a book for the first time, there is something akin to safe-breaking about it. Yes, that's exactly it: the frantic reader is like a burglar who has spent hours digging a tunnel to enter the strongroom of a bank. He emerges face to face with hundreds of strongboxes, all identical, and opens them one by one. And each time a box is opened, it loses its anonymity and becomes unique: one is filled with paintings, another with a bundle of banknotes, a third with jewels or letters tied in ribbon, engravings, objects of no value at all, silverware, photos, gold sovereigns, dried flowers, files of paper, crystal glasses, or children’s toys--and so on. There is something intoxicating about opening a new one, finding its contents and feeling overjoyed that in a trice one is no longer in front of a set of boxes, but in the presence of the riches and wretched banalities that make up human existence. "
― Jacques Bonnet , Phantoms on the Bookshelves
2 " Hundreds of thousands of people live in my library. Some are real, others are fictional. The real ones are the so-called imaginary characters in works of literature, the fictional ones are their authors. We know everything about the former, or at least as much as we are meant to know, everything that is written about a given character in a novel, a story or a poem in which she or he figures...The rest doesn't matter. Nothing is hidden from us. For us, a novel's characters are real. (p. 80 "
3 " Prolific libraries take on an independent existence, and become living things...We may have chosen its themes, and the general pathways along which it will develop, but we can only stand and watch as it invades all the walls of the room, climbs to the ceiling, annexes the other rooms one by one, expelling anything that gets in the way. It eliminates pictures hanging on the walls, or ornaments that obstruct its advance; it moves on with its necessary but cumbersome acolytes -- stools and ladders -- and forces its owner into constant reorganization since its progress is not linear and calls for ever new kinds of diviion. At the same time, it is undeniably the reflection, the twin image of its master. To anyone with the insight to decode it, the fundamental character of the librarian will emerge as one's eye travels along the bookshelves. indeed no library of any size is like another, none has the same personality. (pp. 30-31) "
4 " The mania for collecting can easily turn simply into accumulating. All one has to do is develop one collecting interest after another, and so on. But collectors of a particular category of articles almost always lose interest once they have reached their goal. When the collection is complete, what else is there to do?...Failure makes it possible to avoid the effort: he simply carries on as before. (pp. 25-26) "
5 " The book is the precious material expression of a past emotion, or the chance of having one in years to come, and to get rid of it would bring the risk of a serious sense of loss. (p. 28) "
― Jacques Bonnet
6 " In der Folge entspinnt sich die merkwürdige Beziehung des Bibliomanen zu seinen Abertausenden von Büchern. Dies ist dieselbe Beziehung, wie der Gärtner sie zu einer wuchernden Kletterpflanze hat: Die Pflanze entwickelt sich von selbst, für das bloße Auge zunächst unsichtbar, aber doch mit einer Energie, deren Ergebnis nach wenigen Wochen deutlich sichtbar ist; dem Menschen bleibt, so er sie nicht zurechtstutzen will, nur die Möglichkeit, sie in die eine oder andere Richtung zu lenken, in die sie seiner Ansicht nach wachsen sollte. Auf diese Weise vermehren sich auch kräftig treibende Bibliotheken, aus sich heraus, wie lebende Wesen. („Wer sich eine Bibliothek aufbaut, der baut sich ein ganzes Leben auf. Sie ist nämlich nie die Summe ihrer einzelnen Exemplare.“) Wir haben die Themen vorgegeben, die Leittriebe, entlang deren sie sich entwickeln, ansonsten aber bleiben wir Beobachter und sehen zu, wie sie zuerst alle Wände eines Zimmers überzieht, bis zur Decke hinaufklettert, ein anderes Zimmer annektiert, dann ein weiteres und so fort, bis sie alles verdrängt hat, was ihr im Wege war. Sie verscheucht alle Bilder, die etwa noch an den Wänden hingen, jeden anderen Einrichtungsgegenstand, der ihrer Konsultation im Wege steht. Sie verschiebt ihr Gefüge mitsamt ihren unentbehrlichen, raumgreifenden Adjutanten wie Tritthockern oder Stehleitern. Sie zwingt uns zu ständigem Umräumen, da ihre Entwicklung nie eindimensional verläuft und stets neue Unterabteilungen verlangt. Auf diese Weise wird sie gleichzeitig und unleugbar zur Widerspiegelung, zum Doppelgänger ihres Besitzers. Für den, der ihre subtilen Baupläne zu lesen versteht, entsteht aus den Regalen ein Charakterbild ihres Bibliothekars. Im Übrigen ähnelt keine ernstzunehmende Bibliothek einer anderen, keine besitzt je dieselbe Persönlichkeit. "
7 " The important thing is not so much to read fast, as to read each book at the speed it deserves. It is as regrettable to spend too much time on some books as it is to read others too quickly. There are books you know well, just from flicking through them, others you only grasp at second or third reading, and others again which will last you a lifetime. "
8 " I still have a photo, taken ... by Eugen Bavcar, a Slovenian photographer -who is blind. "
9 " The past haunts libraries, not only in documents bearing witness to past ages, but through scholarly works, literary reconstructions and images of all kinds. "
10 " ..."(Years of work are required before the cerebral mechanisms for reading, if regularly oiled, finally become unconscious.-Stanislas Dehaene.) The important thing is not so much to read fast, as to read each book at the speed it deserves. It is as regrettable to spend too much time on some books as it to read others too quickly. There are books you know well, just from flicking through them, others you only grasp at second or third reading, and others again will will last you a lifetime. "
11 " Non mi rammento di avere imparato a leggere, mi sembra di averlo sempre saputo fare. "
