21
" His other hand finds my cheek, and he wipes away my tears with his thumb. The chocolate scent overwhelms me as he bends over and whispers in my ear, “No, Cassie. No, no, no.”
I throw my arm around his neck and press his dry cheek against my wet one. I’m shaking like an epileptic, and for the first time I can feel the weight of the quilts on the top of my toes because the blinding dark sharpens your other senses.
I’m a bubbling stew of random thoughts and feelings. I’m worried my hair might smell. I want some chocolate. This guy holding me—well, it’s more like I was holding him—has seen me in all my naked glory. What did he think about my body? What did I think about my body? Does God really care about promises? Do I really care about God? Are miracles something like the Red Sea parting or more like Evan Walker finding me locked in a block of ice in a wilderness of white?
“Cassie, it’s going to be okay,” he whispers into my ear, chocolate breath. "
― Rick Yancey , The 5th Wave (The 5th Wave, #1)
22
" A line that reads, 'Died gallantly' would tell a truer story, often, if it read, 'Died screaming'; and instead of the total number of troops who 'sacrificed' their lives, we might simply chisel onto a block of marble the number of limbs left on the battlefield or in hospitals, the number of body parts unaccounted for, missing in action. Such a memorial would be unthinkable, of course, and I must confess that even I would find it tasteless. But if you want the truth about war, you have to start and end with the screaming. "
26
" There were some that were of so rare a beauty that my pleasure on catching sight of them was enhanced by surprise. By what privilege, on one morning rather than another, did the window on being uncurtained disclose to my wondering eyes the nymph Glauconome, whose lazy beauty, gently breathing, had the transparence of a vaporous emerald beneath whose surface I could see teeming the ponderable elements that coloured it? She made the sun join in her play, with a smile rendered languorous by an invisible haze which was nought but a space kept vacant about her translucent surface, which, thus curtailed, became more appealing, like those goddesses whom the sculptor carves in relief upon a block of marble, the rest of which he leaves unchiselled. So, in her matchless colour, she invited us out over those rough terrestrial roads, from which, seated beside Mme. de Villeparisis in her barouche, we should see, all day long and without ever reaching it, the coolness of her gentle palpitation. "
― Marcel Proust , In the Shadow of Young Girls in Flower
