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1 " The making of miracles to edification was as ardently admired by pious Victorians as it was sternly discouraged by Jesus of Nazareth. Not that the Victorians were unique in this respect. Modern writers also indulge in edifying miracles though they generally prefer to use them to procure unhappy endings, by which piece of thaumaturgy they win the title of realists. "
― Dorothy L. Sayers , The Mind of the Maker
2 " Nell did not imagine that Constable Moore wanted to get into a detailed discussion of recent events, so she changed the subject. " I think I have finally worked out what you were trying to tell me, years ago, about being intelligent," she said.The Constable brightened all at once. " Pleased to hear it." The Vickys have an elaborate code of morals and conduct. It grew out of the moral squalor of an earlier generation, just as the original Victorians were preceded by the Georgians and the Regency. The old guard believe in that code because they came to it the hard way. They raise their children to believe in that code– but their children believe it for entirely different reasons." They believe it," the Constable said, " because they have been indoctrinated to believe it." Yes. Some of them never challenge it– they grow up to be smallminded people, who can tell you what they believe but not why they believe it. Others become disillusioned by the hypocrisy of the society and rebel– as did Elizabeth Finkle-McGraw." Which path do you intend to take, Nell?" said the Constable, sounding very interested. " Conformity or rebellion?" Neither one. Both ways are simple-minded– they are only for people who cannot cope with contradiction and ambiguity. "
3 " But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French. "
― Doris Lessing
4 " After nearly a year of mourning, I feel like the Victorians when Edison came along- all those years in the darkness, and then electric light. I've got the earth between my toes. "
― Harriet Reuter Hapgood , The Square Root of Summer
5 " This cultural, technological, and meritocratic environment hasn't made us a race of depraved barbarians. But it has made us less morally articulate. Many of us have instincts about right and wrong, about how goodness and character are built, but everything is fuzzy. Many of us have no clear idea how to build character, no rigorous way to think about such things. We are clear about external, professional things but unclear about internal, moral ones. What the Victorians were to sex, we are to morality: everything is covered in euphemism. "
― David Brooks
6 " The question is, shall it or shall it not be linear history. I've always thought a kaleidoscopic view might be an interesting heresey. Shake the tube and see what comes out. Chronology irritates me. There is no chronology inside my head. I am composed of myriad Claudias who spin and mix and part like sparks of sunlight on water. The pack of cards I carry around is forever shuffled and re-shuffled; there is no sequence, everything happens at once. The machines of the new technology, I understand, perform in much the same way: all knowledge is stored, to be summoned up at the flick of a key. They sound, in theory, more efficient. Some of my keys don't work; others demand pass-words, codes, random unlocking sequences. The collective past, curiously, provides these. It is public property, but it is also deeply private. We all look differently at it. My Victorians are not your Victorians. My seventeenth century is not yours. The voice of John Aubrey, of Darwin, of whoever you like, speaks in one tone to me, in another to you. "
― Penelope Lively , Moon Tiger
7 " The Victorians lost a few workers in everything they built, rather like a votive offering. "
― Christopher Fowler , Full Dark House (Bryant & May, #1)
