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" These (Shakespeare, Milton, and Victor Hugo) not only knit and knot the logical texture of the style with all the dexterity and strength of prose; they not only fill up the pattern of the verse with infinite variety and sober wit; but they give us, besides, a rare and special pleasure, by the art, comparable to that of counterpoint, with which they follow at the same time, and now contrast, and now combine, the double pattern of the texture and the verse. Here the sounding line concludes; a little further on, the well-knit sentence; and yet a little further, and both will reach their solution on the same ringing syllable. The best that can be offered by the best writer of prose is to show us the development of the idea and the stylistic pattern proceed hand in hand, sometimes by an obvious and triumphant effort, sometimes with a great air of ease and nature. The writer of verse, by virtue of conquering another difficulty, delights us with a new series of triumphs. He follows three purposes where his rival followed only two; and the change is of precisely the same nature as that from melody to harmony.
-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE "
― Robert Louis Stevenson , Essays in the Art of Writing
26
" TO VICTOR HUGO OF MY CROW PLUTO “Even when the bird is walking we know that it has wings.”—VICTOR HUGO Of: my crow Pluto, the true Plato, azzurronegro green-blue rainbow— Victor Hugo, it is true we know that the crow “has wings,” however pigeon-toe- inturned on grass. We do. (adagio) Vivorosso “corvo,” although con dizionario io parlo Italiano— this pseudo Esperanto which, savio ucello you speak too— my vow and motto (botto e totto) io giuro è questo credo: lucro è peso morto. And so dear crow— gioièllo mio— I have to let you go; a bel bosco generoso, tuttuto vagabondo, serafino uvaceo Sunto, oltremarino verecondo Plato, a "
32
" In His free grace, God is for man in every respect; He surrounds man from all sides. He is man's Lord who is before him, above him, after him, and thence also with him in history, the locus of man's existence. Despite man's insignificance, God is with him as his Creator who intended and made mankind to be very good. Despite man's sin, God is with him, the One who was in Jesus Christ reconciling the world, drawing man unto Himself in merciful judgment. Man's evil past is not merely crossed out because of its irrelevancy. Rather, it is in the good care of God. Despite man's life in the flesh, corrupt and ephemeral, God is with him. The victor in Christ is here and now present through His Spirit, man's strength, companion, and comfort. Despite man's death God is with him, meeting him as redeemer and perfecter at the threshold of the future to show him the totality of existence in the true light in which the eyes of God beheld it from the beginning and will behold it evermore. In what He is for man and does for man, God ushers in the history leading to the ultimate salvation of man. "
― Karl Barth , The Humanity of God