63
" When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...'My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning.A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. (" The Lifted Veil" ) "
65
" Pulling through is what people do around here. There is a kind of bravery in their lives that isn’t bravery at all. It is automatic, unflinching, a mix of man and machine, consuming and unquestionable obligation meeting illness move for move in a giant even-steven game of chess – an unending round of something that looks like shadowboxing, though between love and death, which is the shadow? “Everyone admires us for our courage,” says one man. “They have no idea what they’re talking about.”
“Courage requires options,” the man adds.
“There are options,” says a woman with a thick suede headband. “You could give up. You could fall apart.”
“No you can’t. Nobody does. I’ve never seen it,” says the man. “Well, not really fall apart. "
― Lorrie Moore , Birds of America: Stories
66
" He thought himself awake when he was already asleep. He saw the stars above his face, whirling on their silent and sleepless axis, and the leaves of the trees rustling against them, and he heard small changes in the grass. These little noises of footsteps and soft-fringed wing-beats and stealthy bellies drawn over the grass blades or rattling against the bracken at first frightened or interested him, so that he moved to see what they were (but never saw), then soothed him, so that he no longer cared to see what they were but trusted them to be themselves, and finally left him altogether as he swam down deeper and deeper, nuzzling into the scented turf, into the warm ground, into the unending waters under the earth. "
― T.H. White
69
" For Oscar, high school was the equivalent of a medieval spectacle, like being put in the stocks and forced to endure the peltings and outrages of a mob of deranged half-wits, an experience from which he supposed he should have emerged a better person, but that’s not really what happened—and if there were any lessons to be gleaned from the ordeal of those years he never quite figured out what they were. He walked into school every day like the fat lonely nerdy kid he was, and all he could think about was the day of his manumission, when he would at last be set free from its unending horror. Hey, Oscar, are there faggots on Mars?—Hey, Kazoo, catch this. The first time he heard the term moronic inferno he know exactly where it was located and who were its inhabitants. "
― Junot Díaz , The Brief Wondrous Life of Oscar Wao
70
" We should live, my Lesbia, and love
And value all the talk of stricter
Old men at a single penny.
Suns can set and rise again;
For us, once our brief light has set,
There's one unending night for sleeping.
Give me a thousand kisses, then a hundred,
Then another thousand, then a second hundred,
Then still another thousand, then a hundred;
Then, when we've made many thousands,
We'll muddle them so as not to know
Or lest some villain overlook us
Knowing the total of our kisses.
(Translated by Guy Lee) "
― Catullus , The Complete Poems
72
" I remember at that time I went to the hairdresser's. I did this regularly, but I remember that visit for two particular reasons. The first was that next to me was a young mother with a little girl aged about three. The child, whose hair was about to be cut for the first time, screamed with terror and clung to her mother. The hairdresser stood by gravely, comb in hand: he recognised that this was a serious moment. The mother, blushing, tried to comfort the child who had suddenly plunged into despair; all around the shop women smiled in sympathy. What impressed me, and what I particularly remember, was the child's passionate attempt to re-enter her mother, the arms locked around the woman's neck, the terrified cries of unending love. So dangerous is it to be so close! I had tears in my eyes, witnessing that bond, seeing that closeness, of which only a sorrowful memory remained in my own life. One loses the capacity to grieve as a child grieves, or to rage as a child rages: hotly, despairingly, with tears of passion. One grows up, one becomes civilised, one learns one's manners, and consequently can no longer manage these two functions - sorrow and anger - adequately. "
― Anita Brookner , Brief Lives
73
" Mostly writing requires massive dedication, a whole lot of time spent alone, way too much sitting, countless hours spent thinking hard, and unending and occasionally painful dedication to forming ideas and laboring over the production of sentences, paragraphs, scenes, dialogue, punctuation, and all the elements that go into writing a novel, a play, a screenplay, or a poem. When we're not writing, we're thinking, plotting, imagining, or editing, which can be far more tedious than cranking out first drafts.
--Fire Up Your Writing Brain "
― susan reynolds
75
" Dostoyevsky's indignation at Afanasy Fet's innocent lyrics, " Whispers, timid breath, the nightingales trilled," is well known. This is simply disgraceful, wrote Dostoyevsky indignantly, and he speculated what an insulting impression such empty verses would have made if they'd been given to someone to read during the Lisbon earthquake! Some people protested: Yes, of course, Dostoyevsky is right, but we aren't having an earthquake, and we aren't in Lisbon, and after all, are we not allowed to love, to listen to nightingales, to admire the beauty of a beloved woman? But Dostoyevsky's argument held sway for a long time. It did so because of the way Russians perceive Russian life: as a constant, unending Lisbon earthquake. "