25
" So many things that are so dramatic or exciting when you read about them actually happen so simply and quietly. We humans like to consider ourselves important to creation and to the world, and we expect that whenever death comes it should be with a crash of thunder and wild shouts or something, or with soft music around and people looking grave and serious. We always have it that way in the theatre because it makes us believe in our importance. Most of our life is a matter of dressing ourselves up to believe in just that, dressing ourselves in attractive clothes, in titles, in reputations. Actually, at base we all realize that we're just a frightened bundle of animals, still afraid of the unknown, and still afraid of thousands of things that can separate us from life, and trying to shield ourselves from our own smallness. "
― Louis L'Amour , Westward the Tide
26
" That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again. "
― Sarah J. Maas , Heir of Fire (Throne of Glass, #3)
33
" As for my own answers to any of this? I have none. I'm far more confused than before I first went. I've had no great epiphanies, no profound realisations, but since returning home I've resigned myself to this one thing: that, putting the economics and politics of it all aside - naive as that may be - what it all boils down to is individuals. It's a simple interaction between just two people: one, a person with opportunities and choices, and who could get a flight out tomorrow should they choose; the other, a person with few options - if any. If nothing else, it's a gesture. An attempt. Food and a tent for Toto. Burns dressing for Jose. A little operating theatre with car batteries and boiled instruments, where Roberto can ply his trade. Free HIV treatment for Elizabeth, who'll never be cured and will always live in a hut anyway, but who'll have a longer, healthier life because of it. And sometimes it's little more than a bed in which to die peacefully, attended to by family and health workers... but hey, that's no small thing in some parts.
My head says it's futile.
My heart knows differently. "
― Damien Brown , Band-Aid for a Broken Leg