Home > Topic > The shifts
1 " Our identity is like a kaleidoscope. With each turn we reset it not to a former or final state but to a new one that reflects the here-and-now positions of the pieces we have to work with. The design is always new because the shifts are continual. That is what makes kaleidoscopes, and us, so appealing and beautiful. "
― David Richo , How to Be an Adult in Relationships: The Five Keys to Mindful Loving
2 " It is naive to think you know someone so well.To think that whatever time you have shared in knowing their habits, their history, their stories, their weaknesses, their strengths, their wounds, and deepest corners of their heart could ever sum them up-- is unjust.It is a shame to be unaware of the shifts and changes that happen every day, every moment, right before your eyes. The little crinkles around her eyes that get ever-so-slightly deeper and wiser. The silver linings of her hair. The wonders of time and how they show their presence in such ways. You may think that a flower is simply a flower. A flower that looks and smells just as simply as it always has. Or that the ocean is simply salt water and blue. The flower is always moving, changing, blossoming, and giving life to the birds and the bees. The ocean's tides rise and fall with the phases of the moon. The currents change direction. And depending on how the sun hits the water, the colors and shades of blue are in fact, infinite. Everything around you and everyone is always changing. Take time to smell the roses. Take time to watch the tide. Take time to see your love with new eyes. It would be a shame to miss it. "
― Kayko Tamaki
3 " The studies of women's lives over time portray the role of crisis in transition and underline the possibilities for growth and despair that lie in the recognition of defeat. The studies of Betty and Sarah elucidate the transitions in the development of an ethic of care. The shifts in concern from survival to goodness and from goodness to truth are elaborated through time in these two women's lives. Both studies illustrate the potential of crisis to break a cycle of repetition and suggest that crisis itself may signal a return to a missed opportunity for growth. These portraits of transition are followed by depictions of despair, illustrations of moral nihilism in women who could find no answer to the question " why care? "
4 " What, the Great War? in which your great-grandfather, who happened to be my grandfather, was gassed in the trenches not once, but twice? Which meant he and your great-grandmother were very poor, because he was too ill to work and died young? And meant I inherited his weak lungs? Not relevant to us? her mother says. And then the break-up of the Balkans, and the start of the territorial trouble in the Middle East between the Israelis and the Palestinians, and the civil unrest in Ireland, and the shifts of power in Russia, and the power shifts in the Ottoman empire, and the bankruptcy, economic catastrophe and social unrest in Germany, all of which played a huge part in the rise of Fascism and in the bringing about of another war in which, as it happens, your own grandmother and grandfather--who happened to be my mother and father--both fought when they were just two or three years older than you? Not relevant? To us? "
― Ali Smith
5 " What, then, are some of the shifts that have happened in our understanding of the composing process that make a focus on digital writing in the writing workshop that much more compelling? "