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1 " life's kind of like a painting. A really bizarre, abstract painting. You could look at it and think that all it is, is a blur. And you could continue living your life thinking that all it is, is just a blur. But if you really look at it, really see it, focus on it, and use your imagination, life can become so much more. The painting could be of the sea, the sky, people,buildings, a butterfly on a flower, or anything except the blur you were once convinced it was. "
― Cecelia Ahern , If You Could See Me Now
2 " Just as there is a moment when the artist must stop, when the sculpture must be left as it is, the painting untouched—just as a determination not to know serves the maker more than all the resources of clairvoyance—so there must be a minimum of ignorance in order to perfect a life in happiness. Thosewho lack such a thing must set about acquiring it: unintelligence must be earned. "
― Albert Camus , A Happy Death
3 " It has been my personal experience that as I allow the painting to speak I become lost, it is delicious and at the same time frightening. The best ones, to me, have a life of their own. "
― Luther E. Vann , Elemental: The Power of Illuminated Love
4 " You are as you are until you're not. You change when you want to change. You put your ideas into action in the timing that is best. That's just how it happens.And what I think we all need more than anything is this: permission to be wherever the fuck we are when we're there.You're not a robot. You can't just conjure up motivation when you don't have it. Sometimes you're going through something. Sometimes life has happened. Life! Remember life? Yeah, it teaches you things and sometimes makes you go the long way around for your biggest lessons.You don't get to control everything. You can wake up at 5 a.m. every day until you're tired and broken, but if the words or the painting or the ideas don't want to come to fruition, they won't. You can show up every day to your best intentions, but if it's not the time, it's just not the fucking time. You need to give yourself permission to be a human being. "
― Jamie Varon
5 " When a work of painting, music or other form attains two-way communication, it is truly art. One occasionally hears an artist being criticized on the basis that his work is too 'literal' or too 'common.' But one has rarely if ever heard any definition of 'literal' or 'common.' And there are many artists simply hung up on this, protesting it. Also, some avant-garde schools go completely over the cliff in avoiding anything 'literal' or 'common'—and indeed go completely out of communication! The return flow from the person viewing a work would be contribution. True art always elicits a contribution from those who view or hear or experience it. By contribution is meant 'adding to it.’ An illustration is 'literal' in that it tells everything there is to know. Let us say the illustration is a picture of a tiger approaching a chained girl. It does not really matter how well the painting is executed, it remains an illustration and it is literal. But now let us take a small portion out of the scene and enlarge it. Let us take, say, the head of the tiger with its baleful eye and snarl. Suddenly we no longer have an illustration. It is no longer 'literal.' And the reason lies in the fact that the viewer can fit this expression into his own concepts, ideas or experience: he can supply the why of the snarl, he can compare the head to someone he knows. In short, he can CONTRIBUTE to the head. The skill with which the head is executed determines the degree of response. Because the viewer can contribute to the picture, it is art. In music, the hearer can contribute his own emotion or motion. And even if the music is only a single drum, if it elicits a contribution of emotion or motion, it is truly art. "
― L. Ron Hubbard
6 " Anyone can put paint on a canvas, but only a true master can bring the painting to life. Anyone can kill, but only a genius can make murder an art. "
― Shaun Jeffrey , The Kult
7 " This is a perfectly good picture. And if I didn't know you, I would be impressed and charmed. But I do know you." He thought some more, wondering whether he dared say precisely what he felt, for he knew he could never explain exactly why the idea came to him. " It's the painting of a dutiful daughter," he said eventually, looking at her cautiously to see her reaction. " You want to please. You are always aware of what the person looking at this picture will think of it. Because of that you've missed something important. Does that make sense?" She thought, then nodded. " All right," she said grudgingly and with just a touch of despair in her voice. " You win." Julien grunted. " Have another go, then. I shall come back and come back until you figure it out." " And you'll know?" " You'll know. I will merely get the benefit of it. "
8 " The image titled “The Homeless, Psalm 85:10,” featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritual in the form of a studied meditation upon the multidimensional qualities of the painting itself; or an extended contemplation of the scripture in the title, which in the King James Bible reads as follows: “Mercy and truth are met together; righteousness and peace have kissed each other.” The painting can also inspire a physical response in the form of tears as it calls to mind its more earth-bound aspects; namely, the very serious plight of those who truly are homeless in this world, whether born into such a condition, or forced into it by poverty or war. "
― Aberjhani , Elemental: The Power of Illuminated Love
9 " I’m doing the absolute opposite of giving myself away. As far as I’m concerned, I’ll be completely visible. If the painting sells, I’ll be in Paris, hanging on a wall. If anything, I’m being selfish. It’s perfect; all the freedom of creation, with none of the fuss. "
― Jessie Burton , The Muse
10 " … I studied the painting that hangs over the small fireplace. Immerse myself in art, I told myself. Immerse myself in the conversation of those strollers, people who seem to move about more comfortably in their early-evening twilight than I do, people of maybe sixty years ago. "
― Diane B. Saxton , Peregrine Island
11 " A painting walks into the room supported by the collector. It is the painting of a nude by a contemporary artist. She is scarred by shadows from venetian blinds. “The ritual scarification of light and shadow,” I say. But am thinking, silently, the female nude is the self-ironization of the male. She, in his shadow, by design. "
12 " More than the painting you see or the music you hear, the words you read become in the very act of reading them part of who you are, especially if they are the words of exceptionally promising writers. If there is poison in the words, you are poisoned; if there is nourishment, you are nourished; if there is beauty, you are made a little more beautiful. In Hebrew, the word dabar means both word and also deed. A word doesn’t merely say something, it does something. It brings something into being. "
― Frederick Buechner , Wishful Thinking: A Theological ABC
13 " A carpenter is hired- a roof repaired, a porch built. Everything that can be fixed. June, July, August. Everyday we hear their laughter. I think of the painting by van Gogh, the man in the chair. Everything wrong, and nowhere to go. His hands over his eyes. "
― Mary Oliver
14 " Sylvia quotes Dick as telling her: " I am afraid the demands of wifehood and motherhood would preoccupy you too much to allow you to do the painting and writing you want." Dick was sharp enough to understand that the bright flame that drew him to Sylvia disqualified her from his future. He would not allow Sylvia- or any woman- to outshine him. "
15 " in the corner of the painting of successthe signature is blurred "
― Kelli Russell Agodon , Hourglass Museum
16 " After I see a painting, I go into a room, I close my eyes and I slowly escape into the beauty of the painting. I reflect on the painting, the nuances of the artwork, it's theme, mood and highlights -until the magic of the painting flashes before me. "
― Srinidhi.R
17 " I opened the door and stepped in. Raw pain filled me at the sight of my painting. 'Show me what it looked like, before the fire.' His request surprised me, but I did as he asked. With eyes closed, I projected the exact details of the painting I had poured my soul into. Just as I had experienced his love of surfing in a visceral way, he shared not just the visual beauty of my work, but the love and passion with which I had dedicated myself to it. 'Thank you. Now, it will never truly be gone.' I choked back a sob and went to Mr. K's office. "
― , Forbidden Mind (Forbidden, #1)
18 " You do not see the painting in the attic The maggots on skin that tear. The beauty is a trick. Narcissus - promise naught but air...'' ~ Dorian Gray "
19 " It was a tribute to Raphael that lesser artists wanted to copy his work, but this… this was a travesty. The fresco consisted of Galatea’s apotheosis, wherein she is surrounded by mythical creatures. A beautiful scene, with all the potential in the world, but very poorly executed here. Galatea herself looked vapid and empty. The rest of the painting indicated pure ignorance on the part of the painter. I shook my head in confusion. The giant Polyphemus was depicted with two normal eyes, when clearly he ought to have but one. Triton, for his horn, was using not a shell but an actual trumpet of brass. I nearly laughed aloud at that observation; would not such an instrument be completely destroyed by seawater? Who the devil had painted this monstrosity? "
― Kelsey Brickl , Paint
20 " The painter does not conceive himself as existing in himself, he conceives himself as a reflection of the objects he has put into his pictures and he lives in the reflections of his pictures, a writer, a serious writer, conceives himself as existing by and in himself, he does not at all live in the reflection of his books, to write he must first of all exist in himself, but for a painter to be able to paint, the painting must first of all be done. "
― Gertrude Stein , Picasso