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141 " Laughing and crying are closely related. Smiling and grimacing both involve a person showing their teeth as does laughing and growling. Crying and laughing always represents the expression of actual emotion. "
― , Dead Toad Scrolls
142 " So you’re her brother?” says Lynn. “I guess we know who got the good genes.”I laugh at the expression on Caleb’s face, his mouth drawn into a slight pucker and his eyes wide. "
― Veronica Roth , Insurgent (Divergent, #2)
143 " The materialist theory of history, that all politics and ethics are the expression of economics, is a very simple fallacy indeed. It consists simply of confusing the necessary conditions of life with the normal preoccupations of life, that are quite a different thing. It is like saying that because a man can only walk about on two legs, therefore he never walks about except to buy shoes and stockings. "
― G.K. Chesterton , The Everlasting Man
144 " In 1973, Jan Erik Olsson walked into a small bank in Stockholm, Sweden, brandishing a gun, wounding a police officer, and taking three women and one man hostage. During negotiations, Olsson demanded money, a getaway vehicle, and that his friend Clark Olofsson, a man with a long criminal history, be brought to the bank. The police allowed Olofsson to join his friend and together they held the four hostages captive in a bank vault for six days. During their captivity, the hostages at times were attached to snare traps around their necks, likely to kill them in the event that the police attempted to storm the bank. The hostages grew increasingly afraid and hostile toward the authorities trying to win their release and even actively resisted various rescue attempts. Afterward they refused to testify against their captors, and several continued to stay in contact with the hostage takers, who were sent to prison. Their resistance to outside help and their loyalty toward their captors was puzzling, and psychologists began to study the phenomenon in this and other hostage situations. The expression of positive feelings toward the captor and negative feelings toward those on the outside trying to win their release became known as Stockholm syndrome. "
― Rachel Lloyd
145 " Beauty is not the goal of competitive sports, but high-level sports are a prime venue for the expression of human beauty. The relation is roughly that of courage to war.The human beauty we're talking about here is beauty of a particular type; it might be called kinetic beauty. Its power and appeal are universal. It has nothing to do with sex or cultural norms. What it seems to have to do with, really, is human beings' reconciliation with the fact of having a body. "
― David Foster Wallace , Both Flesh and Not: Essays
146 " Stress can alter the expression of genes, which can affect the response to stress and so on. Human behavior is therefore unpredictable in the short term, but broadly predictable in the long term. "
― Matt Ridley , Genome: the Autobiography of a Species in 23 Chapters
147 " Torch strode over and stared at the fiver" What's this?" " Some change for you. Buy your flunkies some decent clothes." I dipped my fingers into the jar and smeared think fragrant paste on my face. Torch frowned, mirroring the expression on my aunt's face." Change?" Oh, for crying out loud. " It's money. We don't use coins as currency now, we use paper money." He stared at me. " I'm insulting you! I'm saying your poor, like a beggar, because your undead are in rags. I'm offering to clothe your servants for you, because you can't provide for them. Come on, how thick do you have to be?" He jerked his hand up. A jet of flame erupted from his fingers, sliding against the ward. I jerked back from the windows on instinct. The fire died. I leaned forward. " Do you understand now?" More fire. " What's the matter? Was that not enough money? "
148 " This stage in the life of the buzz is truly fabulous. It's not even a buzz anymore. It's a roar. The world opens up and everything's yours right there, right now. You've probably heard the expression -- All good things must come to an end. Well, this stage in the life of the buzz never heard anything close to that. This stage says, " I will never end. I am indestructible. I will last fabulously forever." And of course, you believe it. To hell with tomorrow. To hell with all problems and barriers. Nothing matters but the Spectacular Now. "
149 " The *second task* consists in distinguishing the mode of knowing operative in ontology as science of Being, and this requires us to *work out the methodological structure of ontological-transcendental differentiation*. In early antiquity it was already seen that Being and its attributes in a certain way underlie beings and precede them and so are *a proteron*, an earlier. The term denoting this character by which Being precedes beings is the expression *a priori*, *apriority*, being earlier or prior. As *a priori*, Being is earlier than beings. The meaning of this *a priori*, the sense of the earlier and its possibility, has never been cleared up. The question has not even once been raised as to why the determinations of Being and Being itself must have this character of priority and how such priority is possible. To be earlier is a determination of time, but it does not pertain to the temporal order of the time that we measure by the clock; rather, it is an earlier that belongs to the " inverted world." Therefore, this earlier which characterises Being is taken by the popular understanding to be the later. Only the interpretation of Being by way of temporality can make clear why and how this feature of being earlier, apriority, goes together with Being. The *a priori* character of Being and of all the structures of Being accordingly calls for a specific kind of approach and way of apprehending Being―*a priori cognition*.The basic components of *a priori* cognition constitute what we call *phenomenology*. Phenomenology is the name for the method of ontology, that is, of scientific philosophy. Rightly conceived, phenomenology is the concept of a method. It is therefore precluded from the start that phenomenology should pronounce any theses about Being which have specific content, thus adopting a so-called standpoint." ―Martin Heidegger, from_The Basic Problems of Phenomenology_ "
150 " Because they are assertions about Being in the light of time properly understood, all ontological propositions are Temporal propositions. It is only because ontological propositions are Temporal propositions that they can and must be *a priori propositions*. It is only because ontology is a Temporal science that something like the *a priori* appears in it. *A priori* means " from the earlier" or " the earlier." " *Earlier*" is patently a *time-determination*. If we have been observant, it must have occurred to us that in our explications we employed no word more frequently than the expression " already." It " already antecedently" lies at the ground: " it must always already be understood beforehand" : where beings are encountered, Being has " already beforehand" been projected. In using all of these temporal, really Temporal, terms we have in mind something that the tradition since Plato calls the *a priori*, even if it may not use the very term itself. In the preface to his *Metaphysische Anfangsgründe der Naturwissenschaft [Metaphysical principles of natural science], Kant says: " Now to cognize something *a priori* means to cognize it from its mere possibility." Consequently, *a priori* means that which makes beings as beings possible in *what* and *how* they are. But why is this possibility labeled by the term " earlier" ? Obviously not because we recognize it earlier than beings. For what we experience first and foremost is beings, that which is; we recognize Being only later or maybe even not at all. This time-determination " earlier" cannot refer to the temporal order given by the common concept of time in the sense of intratemporality. On the other hand, it cannot be denied that a time determination is present in the concept of the *a priori*, the earlier. But, because it is not seen how the interpretation of Being necessarily occurs in the horizon of time, the effort has to be made to explain away the time determination by means of the *a priori*. Some go so far as to say that the *a priori*―the essentialities, the determination of beings in their Being―is extratemporal, supratemporal, timeless. That which does the enabling, the possibilities are characterized by a time-determination, the earlier, because in this *a priori* nothing of time is supposed to be present, hence *locus a non lucendo*? Believe it if you wish." ―from_The Basic Problems of Phenomenology_ "
151 " Issib wasn't thrilled to see him. I'm busy and don't need interruptions." " This is the household library," said Nafai. " This is where we always come to do research." " See? You're interrupting already." " Look, I didn't say anything, I just came in here, and you started picking at me the second I walked in the door." " I was hoping you'd walk back out." " I can't. Mother sent me here." Nafai walked over behind Issib, who was floating comfortably in the air in front of his computer display. It was layered thirty pages deep, but each page had only a few words on it, so he could see almost everything at once. Like a game of solitaire, in which Issib was simply moving fragments from place to place. The fragments were all words in weird languages. The ones Nafai recognized were very old. " What language is that?" Nafai asked pointing, to one. Issib signed. " I'm so glad you're not interrupting me." " What is it, some ancient form of Vijati?" " Very good. It's Slucajan, which came from Obilazati, the original form of Vijati. It's dead now." " I read Vijati, you know." " I don't." " Oh, so you're specializing in ancient, obscure languages that nobody speaks anymore, including you?" " I'm not learning these languages, I'm researching lost words." " If the whole language is dead, then all the words are lost." " Words that used to have meanings, but that died out or survived only in idiomatic expressions. Like 'dancing bear.' What's a bear, do you know?" " I don't know. I always thought it was some kind of graceful bird." " Wrong. It's an ancient mammal. Known only on Earth, I think, and not brought here. Or it died out soon. It was bigger than a man, very powerful. A predator." " And it danced?" " The expression used to mean something absurdly clumsy. Like a dog walking on its hind legs." " And now it means the opposite. That's weird. How could it change?" " Because there aren't any bears. THe meaning used to be obvious, because everybody knew a bear and how clumsy it would look, dancing. But when the bears were gone, the meaning could go anywhere. Now we use it for a person who's extremely deft in getting out of an embarrassing social situation. It's the only case that we use the word bear anymore. And you see a lot of people misspelling it, too." " Great stuff. You doing a linguistics project?" " No." " What's this for, then?" " Me." " Just collection old idioms?" " Lost words." " Like bear? The word isn't lost, Issya. It's the bears that are gone." " Very good, Nyef. You get full credit for the assignment. Go away now. "
152 " Matter is a medium of communication between minds, and everything that exists in the mind can also exist in the body. Furthermore, the body—being the expression of a mental state is developed as a manifestation of the mind. "
― Ashish Dalela , Six Causes: The Vedic Theory of Creation
153 " What then is the relation of law to morality? Law cannot prescribe morality, it can prescribe only external actions and therefore it should prescribe only those actions whose mere fulfillment, from whatever motive, the state adjudges to be conducive to welfare. What actions are these? Obviously such actions as promote the physical and social conditions requisite for the expression and development of free—or moral—personality.... Law does not and cannot cover all the ground of morality. To turn all moral obligations into legal obligations would be to destroy morality. Happily it is impossible. No code of law can envisage the myriad changing situations that determine moral obligations. Moreover, there must be one legal code for all, but moral codes vary as much as the individual characters of which they are the expression. To legislate against the moral codes of one’s fellows is a very grave act, requiring for its justification the most indubitable and universally admitted of social gains, for it is to steal their moral codes, to suppress their characters. "
154 " Diversity of opinion in religious belief and its mode is not incompatible with equal possession of the essentials of pure faith, nor at variance with the divine purpose. If an analogy exists between the growth we observe in the vegetable kingdom and that of the intellectual, we should expect to find the same variety in the expression of human belief that we seek in the development of tree and flower. Every tree is not an oak, nor every flower a rose, but each tree and flower is the expression in form and colour of its own inner life. In the same manner the mind was intended to be free to develop according to its own light, and any attempt to coerce it into a defined groove is an interference with the natural order of things. To condemn those who in matters of religion do not conform to our standards is, therefore, as unreasonable as to find fault with an oak tree because it is not an elm. "
― , Philosophy of Ancient Britain
155 " Incidentally, am I alone in finding the expression “it turns out” to be incredibly useful? It allows you to make swift, succinct, and authoritative connections between otherwise randomly unconnected statements without the trouble of explaining what your source or authority actually is. It’s great. It’s hugely better than its predecessors “I read somewhere that...” or the craven “they say that...” because it suggests not only that whatever flimsy bit of urban mythology you are passing on is actually based on brand new, ground breaking research, but that it is research in which you yourself were intimately involved. But again, with no actual authority anywhere in sight. Anyway, where was I? "
― Douglas Adams , The Salmon of Doubt (Dirk Gently, #3)
156 " What the world thought made little difference. Rembrandt had topaint. Whether he painted well or badly didn't matter; painting was thestuff that held him together as a man. The chief value of art, Vincent, liesin the expression it gives to the artist. Rembrandt fulfilled what he knewto be his life purpose; that justified him. Even if his work had beenworthless, he would have been a thousand times more successful than ifhe had put down his desire and become the richest merchant inAmsterdam. (Mendes Da Costa "
― Irving Stone , Lust for Life
157 " To sublime: to pass directly from the solid to the vapor state.To sublimate: to divert the expression of an instinctual desire or impulse from its primitive form to one that is considered more socially or culturally acceptable.Sublime: of outstanding spiritual, intellectual, or moral worth. "
― Rachel Klein , The Moth Diaries
158 " All that is good in art is the expression of one soul talking to another and is precious according to the greatness of the soul that utters it. "
159 " Art is the expression of an enormous preference. "
― Wyndham Lewis
160 " A man finds room in a few square inches of his face for the traits of all his ancestors for the expression of all his history and his wants. "