Home > Topic > The dead man
1 " The face of the dead man was concealed, of course, our customs not being those of the south, where corpses are carried to the grave in open coffins, that they might – one last time before slipping into the pit – be warmed by the light of the sun. "
― Jan Neruda , Prague Tales
2 " Nobody the dead man & Nobody the livingNobody is giving in & Nobody is givingNobody hears me but just Nobody caresNobody fears me but Nobody just staresNobody belongs to me & Nobody remainsNo Nobody knows nothingAll that remains are remains "
― Kami Garcia , Beautiful Creatures (Caster Chronicles, #1)
3 " Man cannot commit a sin so great as to exhaust the infinite love of God. Can there be a sin which could exceed the love of God? Think only of repentance, continual repentance, but dismiss fear altogether. Believe that God loves you as you cannot conceive; that He loves you with your sin, in your sin. It has been said of old that over one repentant sinner there is more joy in heaven than over ten righteous men. Go, and fear not. Be not bitter against men. Be not angry if you are wronged. Forgive the dead man in your heart what wrong he did you. Be reconciled with him in truth. If you are penitent, you love. And if you love you are of God. All things are atoned for, all things are saved by love. If I, a sinner, even as you are, am tender with you and have pity on you, how much more will God. Love is such a priceless treasure that you can redeem the whole world by it, and expiate not only your own sins but the sins of others. "
― Fyodor Dostoevsky
4 " Those old hypocrites. They talk about killing witches but the Good Book’s full of magic. Turning the Nile to blood and parting the Red Sea. What’s that if it’s not good old-fashioned magic? Want a little water into wine? No trouble! How about raising the dead man Lazarus? Just say the word! "
― Clive Barker , Abarat: Days of Magic, Nights of War
5 " This exists. It can be seen. It can be touched. These in pace, these dungeons, these iron hinges, these necklets, that lofty peep-hole on a level with the river's current, that box of stone closed with a lid of granite like a tomb, with this difference, that the dead man here was a living being, that soil which is but mud, that vault hole, those oozing walls, --what declaimers! "
― Victor Hugo , Les Misérables
6 " The man might have died in a fit; but then the jewels are missing," mused the Inspector, " Ha! I have a theory. These flashes come upon me at times... What do you think of this, Holmes? Sholto was, on his own confession, with his brother last night. The brother died in a fit, on which Sholto walked off the treasure! How's that?" " On which the dead man very considerately got up and locked the door on the inside," said Holmes. "
7 " There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.“I’m cold,” Snowden had whimpered. “I’m cold.”“There, there,” Yossarian had tried to comfort him. “There, there.”They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry. "
― Joseph Heller , Catch-22
8 " Lew had never seen a dead man before. He just stood there, and looked and looked. Then he went a step closer, and looked some more. 'So that's what it's like!' he murmured inaudibly. Finally Lew reached out slowly and touched him on the face, and cringed as he met the clammy feel of it, pulled his hand back and whipped it down, as though to get something off it.The flesh was still warm and Lew knew suddenly he had no time alibi.He threw something over that face and that got rid of the awful feeling of being watched by something from the other world. After that Lew wasn't afraid to go near him; he just looked like a bundle of old clothes. The dead man was on his side, and Lew fiddled with the knife-hilt, trying to get it out. It was caught fast, so he let it alone after grabbing it with his fingers from a couple of different directions.Next he went through his pockets, thinking he'd be helping to identify him.The man was Luther Kemp, forty-two, and he lived on 79th Street. But none of that was really true any more, Lew thought, mystified; he'd left it all behind. His clothes and his home and his name and his body and the show he'd paid to see were here. But where the hell had he gone to, anyway? Again that weird feeling came over Lew momentarily, but he brushed it aside. It was just that one of the commonest things in life - death - was still strange to him. But after strangeness comes familiarity, after familiarity, contempt. (" Dusk To Dawn" ) "
9 " I have a swizzle stick shaped like a little monkey,” announced Rose. “Let’s help the dead man with his problem. "
― Seanan McGuire , The Ghosts of Bourbon Street (InCryptid, #3.1)
10 " To her despair was added a philosophical dejection, the feeling of every thinker who, venturing an inquisitive finger beneath the velvet of a throne, comes upon the coarse pinewood . . . And then it was she fell victim to a still more painful disquiet. The dead man they had just carted off, like a lump of matter no longer of any use, made it hideously plain how closely hospitals resemble factories. Under the scalpel, living flesh is treated there like wood under the plane or steel under the rolling-mill. "
― Maurice Renard , The Hands Of Orlac
11 " Are you, are you Coming to the tree They strung up a man They say who murdered three. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree.Are you, are you Coming to the tree Where the dead man called out For his love to flee. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree.Are you, are you Coming to the tree Where I told you to run, So we'd both be free. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree.Are you, are you Coming to the tree Wear a necklace of rope, Side by side with me. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. "
― Suzanne Collins , Mockingjay (The Hunger Games, #3)
12 " As a rule, however fine and deep a phrase may be, it only affects the indifferent, and cannot fully satisfy those who are happy or unhappy; that is why dumbness is most often the highest expression of happiness or unhappiness; lovers understand each other better when they are silent, and a fervent, passionate speech delivered by the grave only touches outsiders, while to the widow and children of the dead man it seems cold and trivial. "
― Anton Chekhov , The Essential Tales of Chekhov