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21 " How fathomless the mystery of the Unseen is! We cannot plumb its depths with our feeble senses - with eyes which cannot see the infinitely small or the infinitely great, nor anything too close or too distant, such as the beings who live on a star or the creatures which live in a drop of water... with ears that deceive us by converting vibrations of the air into tones that we can hear, for they are sprites which miraculously change movement into sound, a metamorphosis which gives birth to harmonies which turn the silent agitation of nature into song... with our sense of smell, which is poorer than any dog's... with our sense of taste, which is barely capable of detecting the age of a wine!Ah! If we had other senses which would work other miracles for us, how many more things would we not discover around us! "
― Guy de Maupassant , Le Horla et autres nouvelles fantastiques
22 " We were the creatures desired throughout the ages... foolish humans didn't even realize it, living in their own little world. "
23 " Insects crawled across my skin, legs skittering across my flesh, numbed paths of cold left in their wake. They were the creatures that heralded my ghosts, and I knew them well, yet the revulsion they caused in those moments far exceeded anything I’d felt before. "
― Hazel Butler , Chasing Azrael (Deathly Insanity #1)
24 " If language naturally evolves to serve the needs of tiny rodents with tiny rodent brains, then what's unique about language isn't the brilliant humans who invented it to communicate high-level abstract thoughts. What's unique about language is that the creatures who develop it are highly vulnerable to being eaten. "
― Temple Grandin
25 " . . . to my surprise I began to know what The Language was about, not just the part we were singing now but the whole poem. It began with the praise and joy in all creation, copying the voice of the wind and the sea. It described sun and moon, stars and clouds, birth and death, winter and spring, the essence of fish, bird, animal, and man. It spoke in what seemed to be the language of each creature. . . . It spoke of well, spring, and stream, of the seed that comes from the loins of a male creature and of the embryo that grows in the womb of the female. It pictured the dry seed deep in the dark earth, feeling the rain and the warmth seeping down to it. It sang of the green shoot and of the tawny heads of harvest grain standing out in the field under the great moon. It described the chrysalis that turns into a golden butterfly, the eggs that break to let out the fluffy bird life within, the birth pangs of woman and of beast. It went on to speak of the dark ferocity of the creatures that pounce upon their prey and plunge their teeth into it--it spoke in the muffled voice of bear and wolf--it sang the song of the great hawks and eagles and owls until their wild faces seemed to be staring into mine, and I knew myself as wild as they. It sang the minor chords of pain and sickness, of injury and old age; for a few moments I felt I was an old woman with age heavy upon me. "
― Monica Furlong , Wise Child (Doran #1)
26 " Darkness fell, revealing a sparkling night sky so beautiful that we decided to sleep out under the stars. At gray dawn, Phyllis woke me with an urgent voice. “Bill, Bill,” she said, “when I woke up I saw this huge boulder beside me, but it wasn’t there last night. Look! Look!” she said and pointed next to her. It was the huge buffalo bull! He had come back during the night and lay down beside us to sleep. I was awestruck. I felt so honored, so grateful, so loved. I loved that buffalo with all my heart and soul. I felt like he knew it, and that was why he had come back to sleep with us. But maybe there’s a different reason. Judith Niles, a wise spiritual friend of mine recently told me that the spontaneous melody is “the voice of the soul.” The minute she said it I knew she was right. Now I feel sure that the creatures responded to “the voice of the soul” amplified through my body. When we human beings finally get it together the natural world is going to respond to us in more wonderful ways than we can ever begin to imagine. "
27 " The only truly dependable production technologies are those that are sustainable over the long term. By that very definition, they must avoid erosion, pollution, environmental degradation, and resource waste. Any rational food-production system will emphasize the well-being of the soil-air-water biosphere, the creatures which inhabit it, and the human beings who depend upon it. "
― , The New Organic Grower: A Master's Manual of Tools and Techniques for the Home and Market Gardener
28 " An intellectual is usually someone who isn't exactly distinguished by his intellect," Corelli asserted. " he claims that label to compensate for his inadequacies. It's as old as that saying : " Tell me what you boast of and I'll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual. Once again, it's all the work of nature. Far from being the sylph to whom poets sing, nature is a cruel, voracious mother who needs to feed on the creatures she gives birth to in order to stay alive. "
29 " If he is infinitely good, what reason should we have to fear him? If he is infinitely wise, why should we have doubts concerning our future? If he knows all, why warn him of our needs and fatigue him with our prayers? If he is everywhere, why erect temples to him? If he is just, why fear that he will punish the creatures that he has filled with weaknesses? If grace does everything for them, what reason would he have for recompensing them? If he is all-powerful, how offend him, how resist him? If he is reasonable, how can he be angry at the blind, to whom he has given the liberty of being unreasonable? If he is immovable, by what right do we pretend to make him change his decrees? If he is inconceivable, why occupy ourselves with him? IF HE HAS SPOKEN, WHY IS THE UNIVERSE NOT CONVINCED? "
― Percy Bysshe Shelley , The Necessity of Atheism and Other Essays
30 " It’s so the stories go that the Ginen tell. If you find a beautiful fairmaid swimming in the river, her fish tail flashing; if you follow her down into her water home with her, she will make the water like air so you can breathe. But then she’ll ask you, playful, You eat salt, or you eat fresh? And if you say salt, she will let you go back home, but if you say fresh …“It’s my business,” he said. Pouted. Looked at the ground.If you only eat unsalted food, fresh food, we believe you make Lasirèn vexed, for salt is the creatures of the sea, and good for the Ginen to eat, but fresh—fresh is the flesh of Lasirèn, and if you eat that, it’s pride. You’re trying to make yourself as one of the lwas. Makandal never eats salt. He, a living man, giving himself powers like a lwa. That’s why he couldn’t hear the voice of the lwas. "
― Nalo Hopkinson
31 " If God declares that all is well, ten thousand devils may declare it to be ill, but we laugh them all to scorn. Blessed be God for a faith which enables us to believe God when the creatures contradict Him. "
― Charles Haddon Spurgeon , Morning and Evening, Based on the English Standard Version
32 " Creatures of the Darkness BY VICKI JORDANIt was world of vampires and demons, where innocence was rare and so were the living. It was a world of darkness,where light had been outlawed and nightfall had swallowedus whole. An epic war had been fought, and the creatures of the darkhad finally prevailed over the promoters of the light. Finally,for the first time in existence, the people of the shadows couldcome out and freely walk among one another in the rays of the dying sun, which had once been used to shun them away. A little girl, a child of the light, had survived the battle and crawled out from under the ashes of the destruction. She looked around at her altered world in dismay and confronted a vampireabout the changes, of which she did not approve. “Why did you turn my world into a world of night, and make wrong into a new form of right? How could you make all the light disappear, and with it everyone I once loved so dear? Why are the shadows now the new sun, and why is everything lost what you havewon?” The vampire looked down at the little girl with amusement and delight. “Because, little girl, this is the real world you see, where there’s nolight to shine on false identities. We didn’t destroy the world just to scare; we simply uncovered what was already there. What has come out was all the darkness that was once hidden within, and you’ll soon meet the darkness in you once my fangs pierce your skin.”We are our own greatest fears….. "
― , Struck By Lightning: The Carson Phillips Journal
33 " Let the creatures other than man also breathe freely. Remember that earth belongs to all the creatures living in this planet. "
34 " It’s more eerie to be alone in a city that’s lit up and functioning than one that’s a tomb. If everything were silent, one could almost pretend to be in nature. A forest. A meadow. Crickets and birdsong. But the corpse of civilization is as restless as the creatures that now roam the graveyards. "
― Isaac Marion , The New Hunger (Warm Bodies, #0.5)
35 " For the gaming fishermen there was the Whatoosie River and its native cocka-snoek, the main game fish of the resident Skegg’s Valley Dynamite Fishing Club. Cocka-snoek were wily and tough and rather too bright for mere fish. You wouldn’t catch much with a rod around here. Many inexperienced visitors would find the bait stolen from their hooks, which punctuated the discovery that their lines had somehow got snagged and tangled irretrievably around some underwater obstruction – sometimes tied together with neat little bows. Often, several direct hits with hand grenades were needed to stun the creatures long enough just to catch them, gut them and fry them, but these former military types had become experts at it. For a modest fee, tours could be arranged via the booking office, which included an overnight stay on the banks of the river where one could drop off to a great night’s sleep after a satisfying meal of cocka-snoek done on an open fire, and the sound the bits of shrapnel made rattling in your stomach. "
― Christina Engela , Loderunner
36 " There are the people of the day, and the creatures of the night. And it's important to remember that the creatures of the night aren't simply the people of the day staying up late because they think that makes them cool and interesting. It takes more than heavy mascara and a pale complexion to cross the divide. "
― Terry Pratchett , Soul Music (Discworld, #16; Death, #3)
37 " Appreciation and enjoyment of the creatures are the hallmark of God's dominion and therefore the standard by which our own attempt to exercise dominion must be judged. "
― Ellen F. Davis
38 " Your people understand the forest: how the animals behave, where to find them, and so on. I want something similar—but instead of the forest as a whole, I want to understand dragons. They are not only here, you know; there are dragons in the savannah—” Mekeesawa nodded. “Well, there are more than that, all over the world. They live in the mountains and on the plains and maybe even in the ocean. I want to know them as you know the creatures of this forest.”“But why?” Mekeesawa asked. His eyes were still merry with laughter, but his question was serious. “You don’t live in all those places.”With the amount of time I have spent traveling in my life, one might make the argument that I do live in all those places, if only temporarily. But Mekeesawa’s point was a good one, and not easily dismissed. The Moulish understood the creatures of the Green Hell because their survival depended on it; my survival did not depend on my traveling the globe to find dragons. (Indeed, it has on more than one occasion nearly been detrimental to my life expectancy.) How could I answer him?Thinking back on the matter now, it is possible my only true answer to that question is now in its second volume, with more to come. These memoirs are not only an accounting of my life; they are an accounting *for* it. "
― Marie Brennan , The Tropic of Serpents (The Memoirs of Lady Trent, #2)
39 " We are not meant to die merely in order to be dead. God could not want that for the creatures to whom He has given the breath of life. We die in order to live. "
― Elisabeth Elliot , Passion and Purity: Learning to Bring Your Love Life Under Christ's Control
40 " Elsa's mother no longer spoke to her of men and love, but of duty and fate and accepting one’s burden. As far as Elsa could tell, if love really was the inherited female domain, then women were saddled with the biggest burden of all. It was pressing down upon them, the way the sea pressed down upon the creatures of the deep. "
― Kathy-Diane Leveille , Standing in the Whale's Jaw