3
" She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul. "
― Joseph Conrad , Heart of Darkness
4
" Of course to one so modern as I am, `Enfant de mon siècle,’ merely to look at the world will be always lovely. I tremble with pleasure when I think that on the very day of my leaving prison both the laburnum and the lilac will be blooming in the gardens, and that I shall see the wind stir into restless beauty the swaying gold of the one, and make the other toss the pale purple of its plumes, so that all the air shall be Arabia for me. Linnaeus fell on his knees and wept for joy when he saw for the first time the long heath of some English upland made yellow with the tawny aromatic brooms of the common furze; and I know that for me, to whom flowers are part of desire, there are tears waiting in the petals of some rose. It has always been so with me from my boyhood. There is not a single colour hidden away in the chalice of a flower, or the curve of a shell, to which, by some subtle sympathy with the very soul of things, my nature does not answer. Like Gautier, I have always been one of those ‘pour qui le monde visible existe. "
― Oscar Wilde , De Profundis and Other Writings
5
" We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self.
These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man. "
― Robert G. Ingersoll , Some Mistakes of Moses
6
" Grief is like sinking, like being buried. I am in water the tawny color of kicked-up dirt. Every breath is full of choking. There is nothing to hold on to, no sides, no way to claw myself up. There is nothing to do but let go.
Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of old things, and days that look like darkness. "
― Lauren Oliver , Pandemonium (Delirium, #2)
7
" His hair was shorter than I remembered, tawny in this half-light, the tousled edges casually framing the clean, commanding lines of his face. His mouth, normally so stern was relaxed now and as I stared a slight sweet smile touched his lips, its curve softening the straight strong lines of his nose and brow. Finally, inevitably, I met his eyes and felt a connection that seared straight through me, down through my soles and away. Those eyes, darker than mine, the darkest blue, dark and as impenetrable as glaciers. Tonight he was real, so very real that my heart thumped, my blood sang, my legs shook. "
― Hannah Blatchford , Friend or Fae
8
" . . . to my surprise I began to know what The Language was about, not just the part we were singing now but the whole poem. It began with the praise and joy in all creation, copying the voice of the wind and the sea. It described sun and moon, stars and clouds, birth and death, winter and spring, the essence of fish, bird, animal, and man. It spoke in what seemed to be the language of each creature. . . . It spoke of well, spring, and stream, of the seed that comes from the loins of a male creature and of the embryo that grows in the womb of the female. It pictured the dry seed deep in the dark earth, feeling the rain and the warmth seeping down to it. It sang of the green shoot and of the tawny heads of harvest grain standing out in the field under the great moon. It described the chrysalis that turns into a golden butterfly, the eggs that break to let out the fluffy bird life within, the birth pangs of woman and of beast. It went on to speak of the dark ferocity of the creatures that pounce upon their prey and plunge their teeth into it--it spoke in the muffled voice of bear and wolf--it sang the song of the great hawks and eagles and owls until their wild faces seemed to be staring into mine, and I knew myself as wild as they. It sang the minor chords of pain and sickness, of injury and old age; for a few moments I felt I was an old woman with age heavy upon me. "
― Monica Furlong , Wise Child (Doran #1)
9
" Then, all of a sudden, those pea-green lawns where the first scarlet poppies were flowering, those canary-yellow fields which striped the tawny hills sloping down to a sea full of azure glints, all seemed so trivial to me, so banal, so false, so much in contrast with Ayl's person, with Ayl's world, with Ayl's idea of beauty, that I realized her place could never have been out here. And I realized, with grief and fear, that I had remained out here, that I would never again be able to escape those gilded and silvered gleams, those little clouds that turned from pale blue to pink, those green leaves that yellowed every autumn, and that Ayl's perfect world was lost forever, so lost I couldn't even imagine it any more, and nothing was left that could remind me of it, even remotely, nothing except perhaps that cold wall of gray stone. "
― Italo Calvino , Cosmicomics
11
" He was still a kid inside. His body had grown, stretched, towered, tanned its skin, hardened its muscle, darkened its tawny shock of long hair, tightened its lines around jaw and eyes, thickened fingers and knuckles, but the brain didn't feel as if it had grown in sympathy with the rest. It was still green, full of tall, lush oaks and elms in summer; a creek ran through it, and the kids climbed around on its convolutions shouting, " This way, gang - we'll take a short-cut and head them off at Dead Man's Gulch! "
12
" The group’s laughter echoed off the stained, plaster ceiling. I raised my beer, but before I clinked the bottles together, I challenged him. “You think you’re a man I won’t forget?”
“Ah’m nae any man ye’ve met before.”
“Praise be,” I smirked, “the others haven’t been worth spit.”
Then the whiskey came, and I was taken by the tawny light, forgetting to worry about my ‘crazy’. Until Angus’ efforts at gilding my heart, called my ‘alter’ to the fore. "
― Cheryl R. Cowtan , Girl Desecrated: Vampires, Asylums and Highlanders 1984
14
" The chick last night marked you,” he said, gesturing to my throat. “Might be a stalker. You’ll want to prepare to wake up with your balls removed.”
“Raven might cut off my balls, but not because she’s a stalker. More like she’s just in a bad mood or gassy.”
Tawny looked at me then shook her head. “Oh, Vaughn. You’re fucked.”
“Actually, I was and quite well. In fact, I think she bruised my hip bones.”
Laughing, Tawny cuddled against Judd. “When’s the wedding?”
Once Judd started laughing, I flipped them off and looked at my menu. “We’re fuck buddies. Nothing more.”
Judd nodded. “Makes sense. A man of your stupidity couldn’t handle a relationship. Best to keep your life simple.”
“She’s hot. That’s all I care about.”
“She is hot,” Tawny said, smiling easier now. “She could probably land a rich guy with those looks.”
“Did you just call me poor?”
“I only mean she could get someone better than a manwhore with commitment issues.”
“Fuck you,” I said and Judd looked ready to hit me. “I could commit if I wanted to. If I wasn’t expecting to die soon, I’d commit all over the fucking place.”
“You don’t even have a pet.”
“Who would take care of my pet when I died?”
“If it was a cat, we’d take it in.”
Judd frowned. “No more cats.”
“One more wouldn’t hurt. In fact, if we have a bunch of cats, people will stop asking when we’re having a kid.”
Judd’s frown disappeared. “Another cat wouldn’t be the end of the world.”
“Judd’s the one who can’t commit,” I muttered.
“He’s married and we have two cats. We’re plenty committed. You’re the one getting hickeys from a girl who likely will marry someone else in a few months.”
“Why a few months?”
“I don’t know. I just feel like she’ll be married in a few months. A rich guy.”
“Are you psychic now?”
“Yes, I’m going to open a shop and tell people their fortunes.”
Smiling, Judd kissed her forehead. “A businesswoman. That’s sexy.”
“Don’t even think about ditching me again so you two can fuck. You can hump each other later.”
“Oh, we will,” Tawny said, waving over the waitress. "
― Bijou Hunter , Damaged and the Outlaw (Damaged, #4)
