7
" Some people view Gene as a man with a wild futuristic utopian fantasy, but that’s too simple. Star Trek did not promise that people would magically become inherently “better,” but that they would progress, always reaching for their highest potential and noblest goals, even if it took centuries of taking two steps forward and one step back. Ideally, humankind would be guided in its quest by reason and justice. The ultimate futility of armed conflict, terrorism, dictatorial rule, prejudice, disregard for the environment, and exercising power for its own sake was demonstrated time and again "
9
" As I approach a new project, my process always begins with the question: what is it about? Here’s one answer that might apply to a Star Trek movie...
I want it to be about the most horrible, treacherous aliens ever known to man who are about to destroy life as we know it, leading to the most spectacular thrill ride of an adventure with fantastic space battles and huge explosions and great special effects -- a white knuckle ride for the movie audience.
Yeah, but what’s it about?
I can write space battles with the best of them, but what makes that space battle interesting to me is: why are they fighting? What are the stakes? What does the hero lose if he loses? And what does he win if he wins? Why should we care?
I'm talking about the second level of story-telling. The level that examines what's going on inside the characters — their moral and ethical dilemmas, their doubts, fears, inner conflicts, how they change as the story progresses. These are the things that make us, as members of an audience, get emotionally involved. "
― Michael Piller , FADE IN: The Making of Star Trek Insurrection - A Textbook on Screenwriting from Within the Star Trek Universe
10
" We combine our three packs of pasta for dinner – pesto. We tip the dried stuff into a pan, add water and simmer.
We try it, looking at each other with disbelief as it hits the tastebuds. ‘It’s pesto, Jim, but not as we know it,’ I say.
‘Fascinating,’ says Lou, unsmiling humouring my Star Trek reference, while wincing at the foul food. (And what made me say that? Is there such a thing as a dad-joke vacuum that needs to be filled, even in the wild?) "
― Fiona Wood , Wildlife (Six Impossible Things/Wildlife #2)
11
" Look, without our stories, without the true nature and reality of who we are as People of Color, nothing about fanboy or fangirl culture would make sense. What I mean by that is: if it wasn't for race, X-Men doesn't sense. If it wasn't for the history of breeding human beings in the New World through chattel slavery, Dune doesn't make sense. If it wasn't for the history of colonialism and imperialism, Star Wars doesn't make sense. If it wasn't for the extermination of so many Indigenous First Nations, most of what we call science fiction’s contact stories doesn't make sense. Without us as the secret sauce, none of this works, and it is about time that we understood that we are the Force that holds the Star Wars universe together. We’re the Prime Directive that makes Star Trek possible, yeah. In the Green Lantern Corps, we are the oath. We are all of these things—erased, and yet without us—we are essential. "
― Junot Díaz