13
" To reach the farthest chamber of Lascaux, it's likely a man had to snuff out his light, lower himself down a shaft with a rope made of twisted fibers, and then rekindle his lamp in the dark so as to draw the woolly rhinoceros, the half horse, and the raging bison there. A long spear transfixes that bison, and entrails pour from its side. Beneath its front hooves lies the one painted man in all of Lascaux: prone, spindly wounded, disguised behind a bird mask. And below him, until its discovery in 196o, lay a spoon-shaped lamp carved of red sandstone ... Hold it again as it once was held, and the animals will emerge out of darkness as you pass. Nothing stays still. Shadows nestle in the cavities; a flicker of light across pale protruding rock turns a hoof or raises a head. One shape recedes as another emerges, and everything lingers in the imagination. "
― , Brilliant: The Evolution of Artificial Light
16
" There is nothing quite like a real political whiz. Some adopt an inscrutable, almost somnolent demeanour and make you beg for their wisdom, while others come at you like a whirlwind. The effect in both cases is the same: even when you think they must be extracting certitude from guesses or cucumbers from sunbeams, you are captive, not only to the verbal artistry but to the weight of the movement, the sense that on these matters to which you are now privy the course of history depends, Politics being civil war by other means, it is fought with the same volumes of smoke and passion and ruthless brutality, and it leaves some of the same psychic wounds. All political environments - democratic, republican and monarchical - have this much in common: it is never more than a short walk in any direction to find someone who disagrees with the last person you spoke to, or who envies or disapproves or wants to thwart him, or who feels thwarted, threatened or misused by him.As our conversation in the Four Seasons concluded, my friend stubbed out the butt of his cigar. I still had three inches to smoke. I left with it and later that evening I met a consultant, also from the Democratic side, who tried to put me wise to the first man’s failings. To be frank, I was left not knowing whom to believe. The consultant told me that these days he thinks it impossible for the US political system to throw up people or parties of true character, vision or integrity. (A businessman from the Republican side once told me the same thing.) Rather, the system is now ideal for hacks, ‘yes men’ and fodder for lobbyists. Political thinking has become institutionalised and incapable of solving the country’s problems. The press has lost character in proportion to the politician, and accepts their values and arguments almost without question. He thought universal national service with a non-military option might be one way to spread the burden and rekindle a sense of shared responsibility. "
18
" It is a property of works of genius that, even when they represent vividly the nothingness of things, even when they clearly show and make you feel the inevitable unhappiness of life, even when they express the most terrible despair, nevertheless to a great soul that finds itself in a state of extreme dejection, disenchantment, nothingness, boredom, and discouragement about life, or in the most bitter and deathly misfortune (whether on account of lofty, powerful passions or something else), such works always bring consolation, [260] and rekindle enthusiasm, and, though they treat and represent nothing but death, they restore, albeit momentarily, the life that it had lost. And so, while that which is seen in the reality of things grieves and kills the soul, when seen in imitation or any other form in works of genius (e.g., in lyric poetry, which is not, properly speaking, imitation), it opens and revives the heart. In fact, just as the author who described and felt so powerfully the vanity of illusions, but still preserved a great fund of them and gave ample proof of this by conveying their vanity so accurately (see pp. 214–15), in the same way, the reader, however disillusioned both about himself and about what he reads, is yet drawn by the author into the same deception and illusion that he experienced and that are hidden in the most intimate recesses of his spirit. And the recognition of the irredeemable vanity and falsity of all beauty and all greatness is itself a kind of beauty and greatness that fills the soul when it is conveyed by a work of genius." from " Zibaldone "
19
" I have lost my spark, I'm told, and should seek to rekindle it. Respecting the messenger, I wonder if this is true. I feel as if my spark endures, but having opened up to the world so bright, perhaps it no longer shines by comparison. So, without a word, I slip back into seclusion to nurture my beautiful inner glow. "
― Richelle E. Goodrich , Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year
