" the characters aren’t the only ones stranded in their country retreat: Huysmans is stranded there, too. It would almost seem that he was trying to go back to Naturalism—the sordid Naturalism of the countryside, where the peasants turn out to be more abject and greedy even than Parisians—if not for the dream sequences, which interrupt and ultimately hobble the story, and make it so impossible to classify. "
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