" Perhaps one of the chief distinctions between a Drama for Marionnettes and a Proper Drama is this ... that whereas a Proper Drama has to be vague and roundabout in its movements, a Marionnette Drama had always better be direct and rapid and even obvious ... A Marionnette is not at all clever -- not subtle. He must fit the characte rlike a hand fits a glove, or all is undone. Therefore when we make a character in one of our Dramas we make the Marionnette to fit it. And so it comes about that a Marionnette does not play a number of parts, he plays only one... that is himself. "

― Edward Gordon Craig