Daisy Johnson
The author of Sisters (2020) Everything Under (2018) and Fen (2016).
Shortlisted for the Man Booker Prize for Everything Under, her debut novel.
Winner of the Edgehill prize for Fen.
She has been longlisted for the Sunday Times Short Story Award and the New Angle Award for East Anglian writing. She was the winner of the Edge Hill award for a collection of short stories and the AM Heath Prize.
Reviews for Fen:
"Within these magical, ingenious stories lies all of the angst, horror and beauty of adolescence. A brilliant achievement." (Evie Wyld)
"There is big, dangerous vitality herein - this book marks the emergence of a great, stomping, wall-knocking talent" (Kevin Barry)
"Reading the stories brought the sense of being trapped in a room, slowly, but very surely, filling up with water. You think: this can't be happening. Meanwhile, hold your breath against the certainty it surely is. " Cynan Jones
"I've been working my way slowly through Fen and not wanting it to end - Daisy marries realism to the uncanny so well that the strangest turnings ring as truth. The echoes between stories give the collection a wonderfully satisfying cohesion, so that the whole is greater than the sum of its parts. I cannot wait to see what she does next." (Sara Taylor, author of The Shore)
Reviews for Everything Under:
"Everything Under grabbed me from the first page and wouldn’t let me go. To read Daisy Johnson is to have that rare feeling of meeting an author you’ll read for the rest of your life." (Evie Wyld)
"Surprising, gorgeously written, and profoundly unsettling, this genderfluid retelling of Oedipus Rex will sink into your bones and stay there." (Carmen Maria Machado)
"Daisy Johnson is a genius." (Jeff VanderMeer)
"Hypnotic, disquieting and thrilling. A concoction of folklore, identity and belonging which sinks its fangs into the heart of you." (Irenosen Okojie)
"Everything Under seeped through to my bones. Reaching new depths hinted at in Fen, language and landscape turn strange, full of creeping horror and beauty. It is precise in its terror, and its tenderness. An ancient myth masterfully remade for our uncertain times. " (Kiran Millwood Hargrave)
