4
" Sometimes a rut can be a comfortable place to be, but ours was full of too many differences and resentments to be wholly comfortable. I had always had my own way in the marriage — about what we’d do, where we’d do it, when, how. Katharine had always argued, and always given in. In the process she’d become more resentful, I guess, except that I was too busy with my own work to notice. But in turn she was less and less appealing to me. She’s a couple of years older than me, I guess you know that, but that wasn’t all. Those stolid American middle-class values, her sensible clothes, her sense of responsibility, her moderation in all things — frankly, they bored me. We made love less and less, and she didn’t even seem to miss it. I did. "
― Shashi Tharoor
5
" Truth is elusive, subtle, manysided. You know, Priscilla, there’s an old Hindu story about Truth. It seems a brash young warrior sought the hand of a beautiful princess. Her father, the king, thought he was a bit too cocksure and callow. He decreed that the warrior could only marry the princess after he had found Truth. So the warrior set out into the world on a quest for Truth. He went to temples and monasteries, to mountaintops where sages meditated, to remote forests where ascetics scourged themselves, but nowhere could he find Truth. Despairing one day and seeking shelter from a thunderstorm, he took refuge in a musty cave. There was an old crone there, a hag with matted hair and warts on her face, the skin hanging loose from her bony limbs, her teeth yellow and rotting, her breath malodorous. But as he spoke to her, with each question she answered, he realized he had come to the end of his journey: she was Truth. They spoke all night, and when the storm cleared, the warrior told her he had fulfilled his quest. ‘Now that I have found Truth,’ he said, ‘what shall I tell them at the palace about you?’ The wizened old creature smiled. ‘Tell them,’ she said, ‘tell them that I am young and beautiful. "
― Shashi Tharoor , Riot
16
" And then, of course, there was the sari itself. What a garment, Randy! There isn’t another outfit in the world that balances better the twin feminine urges to conceal and reveal. It outlines the woman’s shape but hides the faults a skirt can’t — under a sari a heavy behind, unflattering legs are invisible. But it also reveals the midriff, a part of the anatomy most Western women hide all the time. I was mesmerized, Randy, by the mere fact of being able to see her belly button when she walked, the single fold of flesh above the knot of her sari, the curve of her waist toward her hips. That swell of flesh just above a woman’s hipbone, Randy, is the sexiest part of the female anatomy to me. And I didn’t even have to undress her to see it. I was completely smitten. "
― Shashi Tharoor , Riot
