1
" If, for example, you should happen to decide arbitrarily that you didn't like books written in the first person, or books about whaling, or patricide, or prostitution, or war, or wretched poverty, or divorce, or madness, or adultery, or homosexuality, or cripples, or the most erotic kind of fornication for fornication's sake, and thus should rule them off your list, you'd be doing yourself out of some of the greatest works of literature in the world's history- in fact, nearly all of them. What counts, it seems to me, is what the writer brings to his story, not the subject itself. "
― , The Sunnier Side and Other Stories
3
" He supposed he was only one of several million persons of his generation who had grown up and, somewhere around thirty, made the upsetting discovery that life wasn't going to pan out the way you'd always expected it would; and why this realization should have thrown him and not them—or not too many of them—was something he couldn't fathom. Life offered none of those prizes you'd been looking forward to since adolescence (he less than others, but looking forward to them all the same, if only out of curiosity). Adulthood came through with none of the pledges you'd been led somehow to believe in; the future still remained the future-illusion; a non-existent period of constantly-receding promise, hinting fulfillment, yet forever withholding the rewards. All the things that had never happened yet were never going to happen after all. It was a mug's game and there ought to be a law. But there wasn't any law, there was no rhyme or reason; and with the sour-grapes attitude of “Why the hell should there be”—which is as near as you ever came to sophistication—you retired within yourself and compensated for the disappointment by drink, by subsisting on daydreams, by living in a private world of your own making (hell or heaven, what did it matter?), by accomplishing or becoming in fancy what you could never bring about in fact. "
― , The Lost Weekend
13
" Sam, I’ll have one more rye.” To celebrate, he said under his breath. To celebrate what?—and a fit of boredom, of ennui so staggering descended upon him with such suddenness that he was scarcely able to stand. He wanted to put his head down on the counter, in the wet and all, and weep: tears, idle tears, I know damned well what they mean—for he was seeing himself with unbearable clarity again and he could beat his fists together and curse this double vision of his that enabled him, forced him, to see too much—though all the while, all the long time he had been at the bar, he knew that to the casual spectator he had changed or moved by not so much as a hair or had a thought more troubling than the price of his drinks. Cloudy the place, who was drinking now with him, in him, inside him, instead of him, he loved and hated himself and that Sam, and groped to think of it again, clearly like before. "
― , The Lost Weekend
17
" The alcoholic, to get liquor, will do everything that the drug-addict will do to get drugs, everything but one: and that is murder. Cut off from drink, he’ll lie to get it, beg, plead, wheedle, borrow, steal, rob—all the crimes in the catalogue. But he won’t kill for it. That’s the difference between the drunk and the drug-addict. But the only one. "
― , The Lost Weekend