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" I intended that when the curtain went up the scene should confront the public like the exaggerating mirror in the stories of Madame Leprince de Beaumont, in which the depraved saw themselves with dragons' bodies, or bulls' horns, or whatever corresponded to their particular vice. It is not surprising that the public should have been aghast at the sight of its other self, which it had never before been shown completely. This ignoble other-self, as Monsieur Catulle Mendes has excellently said, is composed "of eternal human imbecility, eternal lust, eternal gluttony, the vileness of instinct magnified into tyranny; of the sense of decency, the virtues, the patriotism & the ideals peculiar to those who have just eaten their fill." Really, these are hardly the constituents for an amusing play, & the masks demonstrate that the comedy must at the most be the macabre comedy of an English clown, or of a Dance of Death. "
― Alfred Jarry , Ubu Roi
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" What is a play? A public holiday? A lesson? A pastime? In the first place it might seem that a play ought to be a kind of public holiday, being a show put on for a crowd of citizens gathered together. But we must not forget that there are several different kinds of theater audiences, or at least two: there is the audience of a few intelligent people, and the one that is just a crowd. For the crowd, spectacular shows [...] are mainly a pastime, and maybe just a little bit of a lesson since they are not forgotten quite immediately, but a lesson in mock sentimentality and mock esthetics, which are the only real kind for people like that, and for whom the minority theater seem an incomprehensible bore. This other theater is neither a holiday for its audience, nor a lesson, nor a pastime--it is something real: the elite join in the creation of one of themselves who, among this elite, sees a being come to life in himself that was created by himself: an active pleasure which is God's sole pleasure and which the holiday mob achieves in caricature in the carnal act. "
― Alfred Jarry , Selected Works