21
" Joan felt that she would always be haunted and would always suffer that pang for Kells. She would never lie down in the peace and quiet of her home, wherever that might be, without picturing Kells, dark and forbidding and burdened, pacing some lonely cabin or riding a lonely trail or lying with his brooding face upturned to the lonely stars. Sooner or later he would meet his doom. It was inevitable. She pictured over that sinister scene of the dangling forms; but no — Kells would never end that way. Terrible as he was, he had not been born to be hanged. He might be murdered in his sleep, by one of that band of traitors who were traitors because in the nature of evil they had to be. But more likely some gambling-hell, with gold and life at stake, would see his last fight. These bandits stole gold and gambled among themselves and fought. And that fight which finished Kells must necessarily be a terrible one. She seemed to see into a lonely cabin where a log fire burned low and lamps flickered and blue smoke floated in veils and men lay prone on the floor — Kells, stark and bloody, and the giant Gulden, dead at last and more terrible in death, and on the rude table bags of gold and dull, shining heaps of gold, and scattered on the floor, like streams of sand and useless as sand, dust of gold — the Destroyer.
ZANE GREY. THE BORDER LEGION (Kindle Locations 4367-4376). "
― Zane Grey , The Border Legion
24
" He meant the Grand Canyon was only a mood of nature, a bold promise, a beautiful record. He meant that mountains had sifted away in its dust, yet the canyon was young. Man was nothing, so let him be humble. This cataclysm of the earth, this playground of a river was not inscrutable; it was only inevitable—as inevitable as nature herself. Millions of years in the bygone ages it had lain serene under a half moon; it would bask silent under a rayless sun, in the onward edge of time.
It taught simplicity, serenity, peace. The eye that saw only the strife, the war, the decay, the ruin, or only the glory and the tragedy, saw not all the truth. It spoke simply, though its words were grand: "My spirit is the Spirit of Time, of Eternity, of God. Man is little, vain, vaunting. Listen. To-morrow he shall be gone. Peace! Peace! "
― Zane Grey , The Last of the Plainsmen
26
" Armies of marching men told of that blight of nations old or young—war. These, and birds unnamable, and beasts unclassable, with dots and marks and hieroglyphics, recorded the history of a bygone people. Symbols they were of an era that had gone into the dim past, leaving only these marks, {Symbols recording the history of a bygone people.} forever unintelligible; yet while they stood, century after century, ineffaceable, reminders of the glory, the mystery, the sadness of life. "
― Zane Grey , The Last of the Plainsmen
28
" The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day.
I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell. "
― Zane Grey , The Last of the Plainsmen
29
" Saddle horses lined the hitching-rails as far as Brite could see. Canvas-covered wagons, chuck-wagons, buckboards, vehicles of all Western types, stood outside the saddle horses. And up one side and down the other a procession ambled in the dust. On the wide sidewalk a throng of booted, belted, spurred men wended their way up or down. The saloons roared. Black-sombreroed, pale-faced, tight-lipped men stood beside the wide portals of the gaming-dens. Beautiful wrecks of womanhood, girls with havoc in their faces and the look of birds of prey in their eyes, waited in bare-armed splendor to be accosted. Laughter without mirth ran down the walk. The stores were full. Cowboys in twos and threes and sixes trooped by, young, lithe, keen of eye, bold of aspect, gay and reckless. Hundreds of cowboys passed Brite in that long block from the hotel to the intersecting street. And every boy gave him a pang. These were the toll of the trail and of Dodge. It might have been the march of empire, the tragedy of progress, but it was heinous to Brite. He would never send another boy to his death. "
― Zane Grey , The Trail Driver: A Western Story
37
" He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point. "
― Zane Grey , Betty Zane