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1 " He's often wished that he could capture the full essence of each woman's laugh on canvas, but he settles instead, on watching how, when a woman chuckles, her head moves slightly to the left or right so that the light grazes it at a new angle and creates a new pattern of highlight and shadow. It's this subtle shifting that he finds astounding - how everything and nothing can be written on a face through its lines, through the way skin around the eyes crinkle or how the shifting of a mouth belies joy or sarcasm or simple placation. He wonders what Vermeer might have said to that girl with the pearl earring, what words could have stirred in her that wanton expression, because even amateurs understand that faces allow an entry point and that negative space is the key to any good painting: what isn't included is sometimes more important than what is. "
― Adam Gallari , We Are Never as Beautiful as We Are Now
2 " Your mother says you've never passed a mirror you didn't like. It's true, in a way. It's not that you're vain; you're concerned. Mirrors are opportunities. They're random checkpoints throughout the day. "
― Adam Gallari
3 " It's the revelatory aspect, the gradual unfurling of another person, the sense of exploration and discovery that comes from passing a day in the company of a stranger because a stranger cannot judge fully. They're only privy to what another gives them, because the more knowledge one has the less negative space there is - the greater the risk of becoming bland and stale, of being forever trapped inside the box of one's self and never being able to escape it without another wondering what's wrong, wondering why this being they know so well is acting out of character. "
