Home > Author > Patrick W. Galbraith
1 " There are limits to human beings and science, and fiction is one way to expose those limits. --Ono Norihiro "
― Patrick W. Galbraith , Otaku Spaces
2 " There are only two types of people in the world--those who became otaku and those who didn't--and the latter just can't understand what the former is so excited about."--Ono Norihiro "
3 " Otaku is a label applied to and adopted by those people who build a culture around anime, manga, videotapes and videogames. Their ideas and values were different from the mainstream, and so they were labeled otaku, or called themselves otaku, to indicate that difference.... In the end, otaku is just a label created to contain difference. --Ono Norihiro "
4 " Everyone says I am an otaku, but recently everyone is an otaku, even if they just have a hobby. If someone says they are an otaku, I am a little doubtful. --Uchimura Amika "
5 " I guess I'm a "single aristocrat" (dokushin kizoku). This is a category of people in their thirties who have a decent income, but are not obligated to spend it all on family. Usually a man in his thirties or forties would have a family, house, and loan. But we single aristocrats don't. So we spend all our money on hobbies. If I get married, I can't continue this life, unless my future wife is an otaku girl. If she's an otaku and a working woman, we can share space and save money, and thus have more money to spend on hobbies. I have no admiration for the regular "salary-man" (white collar corporate employee) life. I don't want to fully support a woman financially. I like independent women. I'm going to continue my hobby-centered lifestyle no matter what. --Yanai Jun "
6 " When we get older we buy the things we really wanted as a kid and can finally afford and appreciate. But it all goes back to that original longing. --Ono Norihiro "
7 " PG: Who tends to have an interest in moé characters? HT: Clearly we are talking about those who are marginalized— Japanese men in particular, who seem to be getting weaker. After the Second World War, the value of men in Japan was determined by their productivity at work. The man who earned money was able to spend it, showing that he was a worthy mate. This then became the only way to be a man, the only way to be favorably appraised by women. I call this the era of love capitalism, meaning that dating and courtship were increasingly tied to consumption. Trendy dramas aired on television that promoted going to fancy restaurants or taking a ski vacation. So those men who failed or dropped out of the system looked for love elsewhere, for example in manga and anime. The situation got worse when the economy tanked in the 1990s, which made it harder to get that job and be that ideal man. There were a few men who had love and a lot of men who didn’t. I call this the love gap (ren’ai kakusa). Moé provides a low-cost, low-stress solution to this problem. It is love on our terms. Moé is a love revolution that challenges people’s commonsense notions about the world. You don’t need much capital to access moé, and you can do it in a way that suits you. Don’t misunderstand me. I’m not saying that everyone should give up on reality; I’m just pointing out that some of us find satisfaction with fictional characters. It’s not for everyone, but maybe more people would recognize this life choice if it wasn’t always belittled. Forcing people to live up to impossible ideals so that they can participate in so-called reality creates so-called losers, who in their despair might lash out at society. We don’t have to accept something just because people tell us that it is normal or right or better. "
― Patrick W. Galbraith , The Moe Manifesto: An Insider's Look at the Worlds of Manga, Anime, and Gaming