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Lauren Willig QUOTES

142 " Freethinking, Lady Frederick?” She hated that name. It was like a shackle around her neck, engraved with the name of her master. She took a step back, her face openly mutinous in the light of the single lamp. “I don’t like being told what to do.” Captain Reid quirked an eyebrow. “I shall remember that.” Unexpectedly, Penelope grinned. “No, I don’t expect you will. But I shall keep reminding you.” Turning her back on him quite deliberately, she scanned the books scattered across the shelves. “Do you have that Hindustani grammar for me?”
“This one.” He reached from behind her to tip a book out of the row. His sleeve brushed her shoulder in passing. It was a coarser weave than Freddy favored, which must have been why it seemed to leave such a trail across her bare skin. She could smell the clean scent of shaving soap on his jaw and port on his breath, almost overwhelming the small space, as though not being able to see him somehow made him larger than he was, blowing his presence out of proportion in the brush of fabric against her back, the whisper of breath against her hair. Penelope twisted around, so that the bookshelf pressed into her back, pinning her between the writing desk on one side and Captain Reid’s extended arm on the other. She tipped her head back to look him in the eye, the ribbons in her hair snagging against the shelf. Captain Reid made no move to remove his arm. They were face-to-face, chest-to-chest, close enough to kiss. But for the fact that they weren’t on a balcony, and there was no champagne in evidence, it might have been a dozen other encounters in Penelope’s existence, a dozen dangerous preludes to a kiss. But this wasn’t a ballroom, and this man wasn’t any of the spoiled society boys she had known in London. He studied her face in the strange, shifting light, as the ship rocked back and forth and they rocked with it, pinned in place, frozen in tableau, his own face dark and unreadable in the half-light. One might, thought Penelope hazily, her eyes dropping to his lips, attempt to seduce information out of him. From what she had heard, it was a far-from-uncommon technique. One needn’t go too far, after all. A sultry glance, a subtle caress . . . a kiss. It was all for a good cause—and it could be so easy. Or maybe not. Captain Reid was no Freddy. Stepping abruptly back, he favored her with a stiff, social smile, the sort one would give a maiden aunt who was being tedious at a party, but to whom one was bound to be polite. With a brusque motion, he thrust the red-bound book into her hands, gesturing her, with unmistakable finality, towards the door. “Here is your grammar, Lady Frederick. I wish you . . . an instructive time with it.”
“Oh, yes,” said Penelope, with more bravado than she felt.
“It has certainly been most instructive. "

Lauren Willig , The Betrayal of the Blood Lily (Pink Carnation, #6)

144 " Amy was mentally packing for a midnight flight to the mail coach to Dover (plan C), when Jane’s gentle voice cut through the listing of ovine pedigrees.
"Such a pity about the tapestries," was all she said. Her voice was pitched low but somehow it carried over both the shouting men.
Amy glanced sharply at Jane, and was rewarded by a swift kick to the ankle. Had that been a ‘say something now!’ kick, or a ‘be quiet and sit still’ kick? Amy kicked back in inquiry. Jane put her foot down hard over Amy’s. Amy decided that could be interpreted as either ‘be quiet and sit still’ or ‘please stop kicking me now!'
Aunt Prudence had snapped out of her reverie with what was nearly an audible click. "Tapestries?" she inquired eagerly.
"Why, yes, Mama," Jane replied demurely. "I had hoped that while Amy and I were in France we might be granted access to the tapestries at the Tuilleries."
Jane’s quiet words sent the table into a state of electric expectancy. Forks hovered over plates in mid-air; wineglasses tilted halfway to open mouths; little Ned paused in the act of slipping a pea down the back of Agnes’s dress. Even Miss Gwen stopped glaring long enough to eye Jane with what looked more like speculation than rancour.
"Not the Gobelins series of Daphne and Apollo!" cried Aunt Prudence.
"But, of course, Aunt Prudence," Amy plunged in. Amy just barely restrained herself from turning and flinging her arms around her cousin. Aunt Prudence had spent long hours lamenting that she had never taken the time before the war to copy the pattern of the tapestries that hung in the Tuilleries Palace. "Jane and I had hoped to sketch them for you, hadn’t we, Jane?"
"We had," Jane affirmed, her graceful neck dipping in assent. "Yet if Papa feels that France remains unsafe, we shall bow to his greater wisdom."
At the other end of the table, Aunt Prudence was wavering. Literally. Torn between her trust in her husband and her burning desire for needlepoint patterns, she swayed a bit in her chair, the feather in her small silk turban quivering with her agitation.
"It surely can’t be as unsafe as that, can it, Bertrand?" She leant across the table to peer at her husband through eyes gone nearsighted from long hours over her embroidery frame.
"After all, if dear Edouard is willing to take responsibility for the girls…"
"Edouard will take very good care of us, I’m sure, Aunt Prudence! If you’ll just read his letter, you’ll see – ouch!" Jane had kicked her again. "

Lauren Willig , The Secret History of the Pink Carnation (Pink Carnation, #1)

148 " There were, he had come to the conclusion after many tedious evenings at Almack’s, two types of chaperone. Given the number of events he had been forced to squire Hen to, Richard considered he had conducted something of an exhaustive study of chaperones.

Both types were aging spinsters (Richard discounted young widows looking after their younger sisters’ debuts; those tended to need a chaperone even more than the young ladies they were ostensibly supervising), but that was all they had in common. The first was the frumpy henwit. Although of indeterminate age, she dressed in the ruffles of a seventeen-year-old. Her hair, no matter how sparse or grey, was curled and frizzed until it looked like a nest built by a particularly talentless blue jay. She twittered and simpered when spoken to, read the sappiest sort of novels in her spare time, and generally contrived to accidentally lose her charge at least twice a
day. Rogues and seducers loved the first sort of chaperone; she made their endeavours that much easier.

And then there was the other type of chaperone. The grim dragon of a chaperone. The sort who looked like her spine had been reinforced with a few Doric columns. Chaperone number two would sneer at a flounce or a frizz. She never simpered when she could snarl, read forbidding sermons by seventeenth-century puritans, and all but chained her charge to her wrist.

As the woman bore down on him, Richard, using his brilliant powers of deduction, was quickly able to conclude that this chaperone fell into the second type. Grey hair rigidly pulled back. Mouth pressed into a grim line. The only incongruous note was the cluster of alarmingly purple flowers on the top of her otherwise severe grey bonnet. Maybe the milliner confused her order and she didn’t have time to change it, Richard concluded charitably. "

Lauren Willig , The Secret History of the Pink Carnation (Pink Carnation, #1)

152 " Before Jack could say anything, he was bowled sideways by a small female moving with great velocity.
“Jack! Jack, Jack, Jack!” His sister Lizzy flung herself at him, momentarily stunning him. Or maybe that was just the large wooden object she was holding banging into the side of his head.
Jack gave his sister a quick, reflexive squeeze before turning to glare at his father. “You brought Lizzy?”
“How could I miss the return of my favorite brother?” said Lizzy, smiling winningly at him, and Jack realized, dizzily, that she wasn’t the little girl he remembered. The wild red-brown curls were the same, but the missing front teeth had grown in and the rest of her had grown up.
He wasn’t prepared for this. He wasn’t prepared for any of this. In his head, Lizzy was still perpetually six years old.
She’s rejected offers from three viscounts and the heir to a marquisate.
Jane had told him, hadn’t she? But Jack hadn’t believed it. It had been a story about someone else, not his Lizzy.
“Lizzy is in training,” said his stepmother grandly.
“For what?” demanded Jack. He noticed for the first time that the object in her hand appeared to be . . . “And why is she holding a crossbow?”
“Because I’m too small for a longbow,” said Lizzy patiently. “Don’t look so alarmed. I haven’t hit anyone by accident in months.”
“Hasn’t hit anyone on purpose either,” murmured Miles to Lady Henrietta.
Lizzy narrowed her eyes at him. “Is that a challenge?”
“No!” said everyone in unison. "

Lauren Willig , The Lure of the Moonflower (Pink Carnation, #12)

155 " Sunset. He had promised her until sunset. “If something goes wrong, we need to get her out.”
Miles Dorrington looked thoughtful. “I say, we could raise the Jolly Roger and storm the fort as pirates. While they’re panicking, you sneak in and retrieve Jane.”
“Too many cannons,” said Jack tersely. “You’ll be blown to splinters before we can get inside. Next?”
Lizzy raised her crossbow. “I could—”
“No,” said Jack and his father in unison. When Jack had finished glaring at his father, he said, “Jane and I discussed this. If she’s not back by sundown, Lord Richard and I”—Jack nodded to the blond man, who nodded back—“will go after her disguised as dragoons.”
Lord Richard quickly took charge. “I’ll see that my men acquire the relevant uniforms.”
“No,” said Jack’s new stepmother.
“No?” Jack looked narrowly at his stepmother. “What do you propose, then?”
His stepmother paced decisively down the deck. “Richard”—Lord Richard leaped agilely out of range of her parasol—“will stay and mind the
Bien-Aimée . If Jane isn’t back by sundown”—Jack’s stepmother regarded him imperiously—“you and I will go after her.”
“Gwen is very good at rappelling down walls,” said Jack’s father, looking at his bride with gooey eyes. “Up them, too.”
“We’re not rappelling,” said Jack. If there was anything he hated, it was rappelling. It was as showy and useless as swinging through windows on ropes. “We’re going through the door.”
“I’ve known that girl since she was born.” His stepmother stalked towards him, parasol point glinting. “I’ve protected her from more assailants than you’ve had hot suppers. If you go, I go.”
“How lovely,” said Lady Henrietta brightly. “You can get to know each other.”
Miles Dorrington prudently lifted his wife by the waist and deposited her out of parasol range.
“We don’t know that she’ll need rescuing,” said Jack, staring down his new stepmother. “The plan might go as planned.”
His stepmother snorted. “With the Gardener? I’ll go get my pistols.”
And she departed, leaving Jack with a sick feeling at the pit of his stomach as he tried not to contemplate what the Gardener might be doing with Jane right now. "

Lauren Willig , The Lure of the Moonflower (Pink Carnation, #12)

156 " The words looped in my head. Download it for free. Cheerful, triumphant. Download it for free! What a freaking bargain.

“I’m sorry,” I said. “She found what?”

"That website. Meems, what was the name again? Bongo or something?”

Mimi looked up from her iPad. “What are you talking about?”

“That website where you found Sarah’s book.”

"Oh,” she said. “Bingo. Haven’t you heard of it? It’s like an online library. You can download almost anything for free. It’s amazing.”

My hands were shaking. I set down Jen’s phone, and then I set down the wineglass next to it. Without a coaster.

"You mean a pirate site,” I said.

“Oh God, no! I would never. It’s an online library.”

"That’s what they call it. But they’re just stealing. They’re fencing stolen goods. Easy to do with electronic copies.”

"No. That’s not true.” Mimi’s voice rose a little. Sharpened a little. “Libraries lend out e-books.”

“Real libraries do. They buy them from the publisher. Sites like Bingo just upload unauthorized copies to sell advertising or put cookies on your phone or whatever else. They’re pirates.”

There was a small, shrill silence. I lifted my wineglass and took a long drink, even though my fingers were trembling so badly, I knew everyone could see the vibration.

"Well,” said Mimi. “It’s not like it matters. I mean, the book’s been out for years and everything, it’s like public domain.”

I put down the wineglass and picked up my tote bag. “So I don’t have time to lecture you about copyright law or anything. Basically, if publishers don’t get paid, authors don’t get paid. That’s kind of how it works.”

"Oh, come on,” said Mimi. “You got paid for this book.”

"Not as much as you think. Definitely not as much as your husband gets paid to short derivatives or whatever he does that buys all this stuff.” I waved my hand at the walls. “And you know, fine, maybe it’s not the big sellers who suffer. It’s the midlist authors, the great names you never hear of, where every sale counts … What am I saying? You don’t care. None of you actually cares. Sitting here in your palaces in the sky. You never had to earn a penny of your own. Why the hell should you care about royalties?” I climbed out of my silver chair and hoisted my tote bag over my shoulder. “It’s about a dollar a book, by the way. Paid out every six months. So I walked all the way over here, gave up an evening of my life, and even if every single one of you had actually bought a legitimate copy, I would have earned about a dozen bucks for my trouble. Twelve dollars and a glass of cheap wine. I’ll see myself out. "

Lauren Willig