Home > Author > Nathan Reese Maher
1 " All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea. "
― Nathan Reese Maher
2 " Patches don’t look it, but when attached to your soul they can get pretty heavy. They go over the holes in your soul, like when you patch a sock. When you have a hole in your soul, it’s because you’re hurting from something. I don’t know if you noticed, but that girl had a lot of holes. "
― Nathan Reese Maher , Lights Out: Book 2
3 " The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off. "
4 " Because I am, just as you are you. We don’t always get to pick who we are, Shelly Wynn, but we can choose to celebrate it. "
5 " There’s nothing wrong with you at all. Sometimes people say or do things that are mean because there's something the matter with them. With Lydia, it seems there’s always something wrong with her. "
6 " I’m afraid they’re not coming.” Abby said fearfully. “Our parents, our teachers – everyone! They’ve disappeared. That’s it. Lights out, Shelly. We’re on our own. "
7 " It’s no big deal. It’s kind of like a tattoo. It won’t hurt, not too much, just a few stitches and it’ll be all over. It’s really interesting how it’s done. You won’t believe where your soul hides. Go on, take a guess. Where do you think it is? "
8 " Aloha Oukou. It looked like your soul was escaping so I put you in a tree. "
9 " She could spin it between her legs, skip with it, twirl it around her neck and transfer it from one arm to the other. Shelly hooped because she enjoyed it; it calmed her whenever she would have an argument or a bad day at school, and it also allowed her to think. Today, she needed to hoop more than ever. "
10 " Somehow her hula hoop had cut into the driver’s side door like the vehicle was made of cheese. "
11 " Soon, all the children were chanting it. “No school! No school! "
12 " Shelly shook her head and made sure she had plenty of space so that she wouldn’t hit anything. As many times before, she kept the hoop close to her waist and then twirled it with small, tight bursts of speed. As the hoop gathered in momentum it started to give off a hum that soon took on a light blue illumination far brighter than the streetlamps. It was so bright, that it lit up the entire backyard. "
13 " Do we not each dream of dreams? Do we not dance on the notes of lostmemories? Then are we not each dreamers of tomorrow and yesterday, since dreamsplay when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home? "
14 " Call me crazy, but there is something terribly wrong with this city. "
15 " There is a stillness between us, a period of restlessness that ties my stomachin a hangman’s noose. It is this same lack in noise that lives, there! in thedarkness of the grave, how it frightens me beyond all things. "
16 " I can’t help but ask, “Do you know where you are?”She turns to me with a foreboding glare. “Do you? "
17 " Did Bach ever eatpancakes at midnight? "
18 " History doesn’t start with a tall buildingand a card with your name written on it, but jokes do. I think someone is takingus for suckers and is playing a mean game. "
19 " I steal one glance over my shoulder as soon as we are far from the foreboding luminance of the neon glow, and it is there that my stomach leaps into my throat. Squatting just shy of the light and partially concealed by the shade of an alley is a sinister silhouette beneath a crimson cowl, beaming a demonic smile which spans from cheek to swollen cheek. "
20 " She leaves my side and heads deeper intothe apartment singing, “—if the spirit tries to hide, its temple far away… acopper for those they ask, a diamond for those who stay. "
