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" In the chamber, [Frances Hamling] sat close to her husband [William Hamling, about to go before the US Supreme Court on 4/15/74], trying to repress the anxiety she felt about his future. Four years in prison and $87,000 in fines was hardly a matter of casual contemplation. Since nobody was supposed to speak or even whisper in the chamber, she diverted herself by glancing around at the room's opulent interior, the impressive bone-white china columns and red velvet draperies that formed the background behind the polished judicial bench and high black leather chairs. A gold clock hung down from between two pillars, signaling that it was 9:57 a.m. -- a few minutes before the justices' scheduled arrival. Along the upper edge of the front of the room, close to the top of the forty-four-foot ceiling, Frances noticed an interesting, voluptuous section of Classical art: It was a golden beige marble frieze that extended across the width of the room and showed about twenty nude and seminude men, women, and children gathered in various poses. The figures symbolized the embodiment of human wisdom and truth, righteousness, and virtue; but the bodies to her could as easily have represented an assemblage of Roman hedonists or orgiasts, and it struck her as ironic that such a scene should be hovering over the heads of the jurists who would be questioning her husband's use of illustrations in the Presidential Report on Obscenity and Pornography. "
― Gay Talese , Thy Neighbor's Wife