6
" […] Although it’s hard to imagine it now, there was a time when horror was nearly unrivaled in popularity with the general reader. In the 1970s and ’80s, local bookstores had whole shelves devoted to it. You couldn’t miss them: they were the ones stocked between Mystery and Fantasy/Sci-Fi, with all the black and red covers, the raised titles dripping blood, and the leering skeletons. Lots and lots of skeletons. These books had notoriously short shelf lives, but because there was such a demand for them—owing largely to the success of books like The Exorcist and writers like Stephen King, Anne Rice, and Peter Straub—it was possible to hack a living if you could turn them out fast enough.
A lot of folks tried their hand, and a lot of bad books were published. So many that the market eventually collapsed under its own weight. Among those bad books, though, were some truly great ones written by great writers—writers like Ramsey Campbell, Robert R. McCammon, and Chelsea Quinn Yarbro, to name just three—who delivered lasting contributions to the genre. While it would be nice to think that all the deserving books were saved from being swept away in the vast tide, that just wasn’t the case. [...]
Excerpt from ”Introduction” to Michael McDowell’s ”Blackwater: The Complete Saga” (2017, Kindle edition) "
― Nathan Ballingrud
14
" They moved roughly, urgently, breathing in the musk of each other, breathing in too the smell of the pines and the lake and the dead monster, this last growing in power until it occluded the others, until it filled his sinuses, his head, his body, until it seemed nothing existed except that smell and the awful thing that made it, until it seemed he was its source, the wellspring of all the foulness of the earth, and when he spent himself into her he thought for a wretched moment that he had somehow injected it with the possibility of new life. "
― Nathan Ballingrud , North American Lake Monsters
20
" It had changed since this morning. It actually was shedding light, for one thing, though it was a dim phosphorescence, the result of some strange fungus or bacterium running amuck through its innards. The creature looked like some ghastly oversized nightlight. The gash that was either a mouth or a wound had borne fruit: a weird and vibrant flora spilled from it like fruit from a cornucopia, pale protuberances with growths like outstretched arms listing this way and that, a dozen vegetable christs. Life abounded here: small chitinous animals hurried busily to and fro, conducting their miserable business in tunnels and passageways in the body, provided for them by nature or their own savage industry; a cloud of insects, drunk on the very perfume which had driven him into fits, alternately settling on its carcass and lifting away again in graceful curtains, like wind blowing through a wheatfield. "
― Nathan Ballingrud , North American Lake Monsters