134
" I think there really is no other way to write a long, serious
novel. You work, shelve it for a while, work, shelve it again,
work some more, month after month, year after year, and then
one day you read the whole piece through and, so far as you
can see, there are no mistakes. (The minute it's published and
you read the printed book you see a thousand.) This tortuous
process is not necessary, I suspect, for the writing of a popular
novel in which the characters are not meant to have depth and complexity, where character A is consistently stingy and character
B is consistently openhearted and nobody is a mass of
contradictions, as are real human beings. But for a true novel
there is generally no substitute for slow, slow baking.
We've all heard the stories of Tolstoy's pains over Anna Karenina,
Jane Austen's over Emma, or even Dostoevsky's over Crime and Punishment, a novel he grieved at having to publish prematurely,though he had worked at it much longer than most popular-fiction writers work at their novels. "
― John Gardner , On Becoming a Novelist
138
" The shoddy writer wants only publication. He fails to recognize that almost anyone willing to devote between twelve and fourteen hours a day to writing--and there are many such people, will eventually get published. But only the great writer will survive, the writer who fully understands his trade and is willing to take time and the necessary risks, always assuming, of course, that the writer is profoundly honest and at least in his writing, sane. Sanity in a writer is merely this: However stupid he may be in his private life, he never cheats in writing. He never forgets that his audience is, at least ideally, as noble, generous, and tolerant as he is himself (or more so), and never forgets that he is writing about people, so that to turn characters to cartoons, to treat his characters as innately inferior to himself, to forget their reasons for being as they are, to treat them as brutes, is bad art. Sanity also involves taste. The true writer has a great advantage over most other people: He knows the great tradition of literature, which has always been the cutting edge of morality, religion, and politics, to say nothing of social reform. He knows what the greatest literary minds of the past are proud to do and what they will not stoop to, and his knowledge informs his practice. "
― John Gardner