9
" Standing Deer
As the house of a person
in age sometimes grows cluttered
with what is
too loved or too heavy to part with,
the heart may grow cluttered.
And still the house will be emptied,
and still the heart.
As the thoughts of a person
in age sometimes grow sparer,
like the great cleanness come into a room,
the soul may grow sparer;
one sparrow song carves it completely.
And still the room is full,
and still the heart.
Empty and filled,
like the curling half-light of morning,
in which everything is still possible and so why not.
Filled and empty,
like the curling half-light of evening,
in which everything now is finished and so why not.
Beloved, what can be, what was,
will be taken from us.
I have disappointed.
I am sorry. I knew no better.
A root seeks water.
Tenderness only breaks open the earth.
This morning, out the window,
the deer stood like a blessing, then vanished. "
― Jane Hirshfield
16
" Some stories last many centuries,
others only a moment.
All alter over that lifetime like beach-glass,
grow distant and more beautiful with salt.
Yet even today, to look at a tree
and ask the story Who are you? is to be transformed.
There is a stage in us where each being, each thing, is a mirror.
Then the bees of self pour from the hive-door,
ravenous to enter the sweetness of flowering nettles and thistle.
Next comes the ringing a stone or violin or empty bucket
gives off --
the immeasurable's continuous singing,
before it goes back into story and feeling.
In Borneo, there are palm trees that walk on their high roots.
Slowly, with effort, they lift one leg then another.
I would like to join that stilted transmigration,
to feel my own skin vertical as theirs:
an ant-road, a highway for beetles.
I would like not minding, whatever travels my heart.
To follow it all the way into leaf-form, bark-furl, root-touch,
and then keep walking, unimaginably further. "
― Jane Hirshfield , Given Sugar, Given Salt
17
" In his poems and in his teaching of other poets, Bashō set forth a simple, deeply useful reminder: that if you see for yourself, hear for yourself, and enter deeply enough this seeing and hearing, all things will speak with and through you. “To learn about the pine tree,” he told his students, “go to the pine tree; to learn from the bamboo, study bamboo.” He found in every life and object an equal potential for insight and expansion. A good subject for haiku, he suggested, is a crow picking mud-snails from between a rice paddy’s plants. Seen truly, he taught, there is nothing that does not become a flower, a moon. “But unless things are seen with fresh eyes,” he added, “nothing’s worth writing down.”
A wanderer all his life both in body and spirit, Bashō concerned himself less with destination than with the quality of the traveller’s attention. A poem, he comments, only exists while it’s on the writing desk; by the time its ink has dried, it should be recognized as just a scrap of paper. In poetry as in
life, he saw each moment as gate-latch. Permeability mattered more in this process than product or will: “If we were to gain mastery over things, we would find their lives would vanish under us without a trace. "
― Jane Hirshfield
