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Ashim Shanker QUOTES

42 " [He] seemed to possess, beneath it all, an immutable sense of self-assurance, but in addition to that, the look of a man ensnared by what he perceived to be his own Duty. A Duty that effervesced inside of him impatiently, dry at the mouth, shaking feverishly, and holding its breath in anticipation for—not his action, but in fact—the fruits of his actions, however distant these may have been. The goal was to satiate its thirst in as few moves as possible, instilling each action with an almost implied necessity for having a motive by which it must exist, which is to say that no action was to be wasted for anything, but only for that which was rooted in some definable and clear-cut purpose...Every action had to be a step in some direction and there could be no dillydallying, for Duty bubbling in the bloodstream for too long brought with it a kind of sickness...from which it was difficult to recover. Neither could there be any reconsideration, for the values to which one has sworn were unassailable and beyond the powers of one individual to reassess. And so, Duty, once instilled, must be allowed to carry on unabated, diverting sustenance away from other aspects of one’s character—driving them to a weakened state, brow-beaten by circumstances beyond their immediate control and relegated to their own downtrodden acquiescence to the bravado of the Parasitic Superego, and, as such, cognizant of their growing superfluity. "

Ashim Shanker , Don't Forget to Breathe (Migrations, Volume I)

47 " Between concentric pavement ripples glide errant echoes originating from beyond the Puddled Metropolis. Windowless blocks and pickle-shaped monuments demarcate the boundaries of patternistic cycles from those wilds kissed neither by starlight nor moonlight. Lethal underbrush of razor-like excrescence pierces at the skins of night, crawls with hyperactive sprouts and verminous vines that howl with contempt for the wicked fortunes of Marshland Organizers armed with scythes and hoes and flaming torches who have only succeeded in crafting their own folly where once stood something of glorious and generous integrity. There are familiar whispers under leaves perched upon by flapping moths. They implore the spirit again to heed the warnings of the vines and to not be swayed by the hubris of these organizing opportunists. One is to stop moving at frantic zigzags through gridlocked streets, stop climbing ladders altogether, stop relying on drainage pipes where floods should prevail, stop tapping one’s feet in waiting rooms expecting to be seen and examined and acknowledged. Rather, one is to eschew unseemly fabrications and conceal oneself beneath the surface of leaves—perhaps even inside the droplets of dew—one is, after all, to feel shameful of the form, of all forms, and seek instead to merge with whispers which do not shun or excoriate, for they are otherwise occupied in the act of designating meaning. Yet, what meaning stands beyond the rectitude of angles and symmetry, but rather in wilds among agitated insects and resplendent bogs and malicious spiders and rippling mosses pronouncing doom upon their surroundings? One is said to find only the same degree of opportunism, and nothing greatly edifying that could serve to extend beyond the banalities of self-preservation. But no, surely there is something more than this—there absolutely must be something more, and it is to be found! Forget what is said about ‘opportunism’—this is just a word and, thusly, a distraction. The key issue is that there are many such campaigns of contrivance mounted by the taxonomic self-interest of categories and frameworks ‘who’ only seek primacy and authority over their consumers. The ascription of ‘this’ may thusly be ascribed also with that of ‘this other’ and so it cannot be ‘that precisely’ because ‘this’ contradicts another ‘that other’ with which ‘this other’ surely claims affiliation. Certainly, in view of such limiting factors, there is a frustration that one is bound to feel that the answers available are constrained and formulaic and insufficient and that one is simply to accept the way of things as though they are defined by the highest of mathematics and do not beget anything higher. One is, thusly, to cease in one’s quest for unexplored possibility. The lines have been drawn, the contradictions defined and so one cannot expect to go very far with these mathematical rules and boundaries in place. There are ways out: one might assume the value of an imaginary unit and bounce out of any restrictive quadrant as with the errant echoes against the rippling pavement of this Puddled Metropolis. One will then experience something akin to a bounding and rebounding leap—iterative, but with all subleaps constituting a more sweeping trajectory—outward to other landscapes and null landscapes, inward through corridors and toward the centroid of circumcentric chamber clusters, into crevices and trenches between paradigms and over those mountain peaks of abstruse calculation. "

Ashim Shanker , Inward and Toward (Migrations, #3)

48 " Hyperbolic Suggestion is—as one might infer from the term’s literal interpretation—a method of suggestion induced upon the subject (or subjects), in question, through the blatant and immoderate invocation of hyperbole. Simply stated, excessive exaggeration induces a trance upon the recipient, rendering him or her remarkably susceptible to suggestion. Thus, through the use of a multitude of descriptive adjectives and superlatives, neural mechanisms and pathways are overloaded, as canals and bypasses are burrowed into the thick of the gray matter. The dendrites are, through this process, tuned to a predetermined frequency by which the seeds of suggestion can be sown. When this occurs, the subject becomes incredibly compliant to any orders given at a certain tone of voice. In some cases, orders need not be given. The subject’s attitudes might well be so affected by the hyperbole as to affect his natural tendencies...Emmanuel silently wondered if there existed a perfect combination of words or phrases that could somehow—as in the case of Hyperbolic Suggestion—subvert even the most stubborn of wills. Then again, maybe it wasn’t so much the words as it was how they were spoken: if he achieved exactly the most desirable intonation, rhythm, timing, pitch and pronunciation in his speaking, would his verbal appeals somehow make greater inroads in garnering their consent? There had to be some optimal combination of aspirated consonants, diphthongs, facial expressions and inflection he could somehow affect in order to persuade them effectively. But it seemed that to search for this elusive mixture of ingredients would only prove an onerous task, conceivably of little benefit. In view of this sobering reality, he decided instead to try out a completely different approach from those previous: it occurred to him that his attempts at persuasion might be slightly more effective if he carried them out as dialogues, rather than as monologues. "

Ashim Shanker , Only the Deplorable (Migrations, Volume II)

53 " Naturally there was the notion of private property as a pragmatic concept, for individuals or groups have a proclivity to tend to their own possessions with greater care and reverence than they would to common property...in such cases, the notion of ownership would underscore a relationship existing between distinct people, rather than a legal association between a person and that which is said to be possessed, which is to say that ownership was, in its strictest definition, the societal distinction between the owner and the non-owner with respect to the property in question. Beyond this, the concept of ownership varied further from society-to-society according to their respective derivations of natural law, legal positivism and legal realism. Some societies—the indigenous Itako tribes...for example—railed against their governments’ initiatives for private ownership in favor of maintaining equal access to available resources (in the case of the Itako, this was due primarily to the fact that theirs were kin-based tribes whose membership sought to live communally). All the same, even this notion of common possession seemed to me rather arrogant, for the necessitated existence of a public domain was rooted in the shared human dominance over the objects or organisms in question. And so, in my dizzying contemplation, I began to yearn for a greater law that stretched to vast limits beyond that which governed humanity alone. The voice in my mind spoke earnestly of the need for a unifying jurisprudence which could preside over all of Nature’s manifestations in a manner either probabilistically fair or mathematically arbitrary. And perhaps, still, this would not be enough. "

Ashim Shanker , Only the Deplorable (Migrations, Volume II)

55 " There stands upon the horizon a new figure of self yet to be unfolded that one must...honor. All of this will be the same, but it will look and feel different upon one’s return—it is important to know this now. One can stand upon a ridge high above the valley, upon a formation of jutting rocks and look over the precipice of what one has known. Even in its multitude of permutations, all looks familiar: the mountains, the fields, the skies—all of it connected to one’s eyes as though by invisible threads. The idea of breaking free from them is now rather troubling. Do those threads have the tensility to endure the stretch of a journey? Will these specters of recognition remain immutable and intact and hitched to the undulating satchel through one’s peregrinations to yet unseen territories, or do these delicate snares snap, relegating these identities only to the wake, sequestered in their purity even from one’s keenest reminiscence? Irrespective of the case, one should assume there to be a reconstitution of both identifier and identified over this inexorable trek—the unyielding essence of each layered, nevertheless, by the sediment of accumulating circumstance until there exists an uncertainty when they meet again. The landscape of then is a petrified visage—the organic layers of tree barks are supplanted by crystalized molds of mineral simulacrum, grass stalks of ages ago have dried and yellowed, autumn blossoms breathe new scents unaware of previous aromas whose places they now occupy, ambling figures have crumbled to bone whistles stacked in cylinders in muted sarcophagi with their predecessors. Faces meet landscapes—there is a vague recognition between the overlapping partners, an attempt at translation to identify elements once apprehended, but inevitably no solution is available in the moment that can bridge pristine artifacts with reconfigured forms. "

Ashim Shanker , Inward and Toward (Migrations, #3)

56 " To be sure, there were all these maddening permutations of what could be that were not to be ignored—possibilities that were still too many to consider to one’s satisfaction. Yet, there was also a stunning beauty to all of this that was so profound that one could not help but love every facet of every conceivability, whether realized or beyond reach. There was so much to capture even in stillness that was akin to grasping at grains of sand so fine as to elude the grip—it was all so intricate, so overwhelming and so rapid, and nothing ever ceased in its glorious transformation that it could be sufficiently arrested and processed and thoroughly acknowledged. But still, there was an exhilaration in being engrossed in the details that evaded capture and in being oneself ensconced in constant flux so as to surrender without recourse to what was to come.

A train whistle blows and a new door is to open: the tracks have many junction points and no shortage of stopovers and destinations. Yet, there is no instance that ever becomes the destination, no circumstance the definitive possibility, and one, for that very fact, could scarcely help but be filled with a heartening love for all of creation, if, indeed, it could be called ‘creation’ and such a word held reasonable accuracy. The Moment, after all, was Always and thus there was no ‘before,’ no instance preceding the instance. There was no infinite regression of causality, no ‘hello’ or ‘goodbye’ and certainly no ‘take care of yourself’ that need wrench one’s heart. There was simply the EverToward: the shifting of Now and the reformulation of Then, wherein the form and essence engendered instantaneously a sculpting of arbitrary and historic juxtapositions—which, themselves, were composed of retroactively-shaped illusions.

In spite of this, there still emerges a yearning for those prehistoric elements now faded, those characters for whom one has felt an affection and who nourished one’s growth and one’s formulations of what exists—if ‘exist’ indeed suffices as a descriptor. There is twinge of loss for what was, even if it has never been or has otherwise taken on new and ersatz constructions in mind. Notwithstanding this, one cannot help but perseverate upon the hypothetical stories of a speculative childhood that presumably nurtured imagination, the scoldings that established assumptive boundary, the conjectural sacrifices that ostensibly granted sustenance. So much of one’s respiration had been populated of this air and of this interplay of actors and elements. And yet, one’s breath cycles ceaselessly through many phases on a given day. In the morning, it is yet purging itself of that mythspell of yesterday; by afternoon, it consumes the horsefeathers of new dynamics, halted again by that which passes by too fast and which can never be frozen; as evening descends, it grows slow and pensive, sometimes coughing up senescent horsefeathers and fatigued by the persistent irregularities introduced by the day itself. "

Ashim Shanker