146
" But then night would fall, revealing the sky’s hidden treasure—the stars, after all, weren’t gone during the day, merely obscured—and his loneliness would recede, supplanted by the sense that the universe, for all its inscrutable vastness, was not a hard, indifferent place in which some things were alive and others not and all that happened was a kind of accident, governed by the cold hand of physical law, but a web of invisible threads in which everything was connected to everything else, including him. "
― Justin Cronin , The City of Mirrors (The Passage, #3)
147
" The war—the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more—the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are—would be fought by men like Richards: men with faces you didn’t notice and couldn’t remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees—the subjects hadn’t changed, they never would, all coming down, after you’d boiled away the bullshit, to somebody’s quarterly earnings report and who got to sit where—but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it. "
― Justin Cronin , The Passage (The Passage, #1)
151
" the man’s name. And the truth was, she didn’t mind any of it, not really: not the being pregnant, which was easy right until the end, nor the delivery itself, which was bad but fast, nor, especially, "
― Justin Cronin , The Passage (The Passage, #1)
152
" Arthur laughs at his son’s embarrassment, though he also knows that this is exactly the kind of thing he likes about her. What does anyone like? Freckles, the curve of hair where she tucks it behind an ear, the sound of her voice when she tells a joke, her great, gleaming trombone in its velvet case. O’Neil has had girlfriends before, but this, Arthur knows, is different; he is entering the web, the matrix of a thousand details that make another person real, not just an object to be wanted. "
― Justin Cronin , Mary and O'Neil
154
" She thought she’d hate it, this huge, faceless city far from home, but the opposite was true: she felt nothing but relief. The heedless sprawl of Denver, its chaotic snarl of subdivisions and freeways; the openness of the high plains and the indifferent mountains; the way people talked to each other, easily, without pretense, and the fact that nearly everyone was from somewhere else: exiles, like her. "
― Justin Cronin , The Passage (The Passage, #1)