4
" This is a story of art without markets, drama without a script, narrative without progress. The queer art of failure turns on the impossible, the improbable, the unlikely, and the unremarkable. It quietly loses, and in losing it imagines other goals for life, for love, for art, and for being. "
― J. Jack Halberstam , The Queer Art of Failure
5
" I believe in low theory in popular places, in the small, the inconsequential, the antimonumental, the micro, the irrelevant; I believe in making a difference by thinking little thoughts and sharing them widely. I seek to provoke, annoy, bother, irritate, and amuse; I am chasing small projects, micropolitics, hunches, whims, fancies. "
― J. Jack Halberstam , The Queer Art of Failure
6
" Rather than searching for ways around death and disappointment, the queer art of failure involves the acceptance of the finite, the embrace, of the absurd, the silly, and the hopelessly goofy. Rather than resisting endings and limits, let us instead revel in and cleave to all of our own inevitable fantastic failures" (The Queer Art of Failure, "Ending, Fleeing, Surviving"). "
― J. Jack Halberstam , The Queer Art of Failure
9
" Since at least the year 2000 and the election of George Bush, Americans have shown themselves to be increasingly enamored with the heroic couplet of men and stupidity. As the election in 2004 proved, playing dumb means playing to "the people," who, apparently, find intellectual acumen to be a sign of overeducation, elitism, and Washington insider status. As many critics have pointed out, no one could be more of a Washington insider than George W. Bush, the son of a former president and the brother of the governor of Florida. Even so, in both of his election campaigns Bush made a populist version of stupidity into a trademark and sold himself to the public as a down-home guy, a fun BBQpaI, a man's man, a student privileged enough to go to Yale
but "real" enough to only get Cs-in other words, an inarticulate, monolingual buffoon who was a safe bet for the White House because he was not trying to befuddle an increasingly uneducated populace with facts, figures, or, god forbid, ideas. His opponent in the election, John Kerry, was fluent in French, well educated, well spoken, and highly suspicious on all counts. "
― J. Jack Halberstam , The Queer Art of Failure
10
" In a crisis, do not remain calm, do not look for the nearest exit, do not stick your head in the sand; do agitate, do make things worse, do run screaming through the street, and do refuse to return to business as usual. Business as usual is what created this mess in the first place. Business as usual has meant that businesspeople and corporate fat cats run/ruin the world and artists are out of luck; it has meant that education, spirituality, sexuality all must function on a business model and every attempt to make changes is greeted with a pragmatic question about whether changing things will also mean making money. Making money cannot be the goal of the new feminism. Putting women in positions of power is not what gaga feminism wants. What gaga feminism wants cannot be easily summarized, but it is not an independent bank account, not a profitable nonprofit; mama does not want a brand new bag. Mama wants revolution. "
― J. Jack Halberstam , Gaga Feminism: Sex, Gender, and the End of Normal
12
" If we want to make the antisocial
turn in queer theory we must be willing to turn away from the comfort
zone of polite exchange in order to embrace a truly political negativity,
one that promises, this time, to fail, to make a mess, to fuck shit up, to
be loud, unruly, impolite, to breed resentment, to bash back, to speak up
and out, to disrupt, assassinate, shock, and annihilate. "
― J. Jack Halberstam
17
" In an interview in The New York Times Magazine in 2016, Alison Bechdel, who appeared in the photograph accompanying the piece dressed in a very smart tailored suit, was asked: “In Fun Home, you wrote about becoming a connoisseur of masculinity at a young age. Today a young person like you would be more likely to identify as transgender than gay. Is the butch lesbian endangered?” “Well, first of all, great question!! Second, wow, in the New York Times? Really? Third, well, is the butch endangered?” Bechdel answers adroitly: “I think the way I first understood my lesbianism, before I had more of a political awareness of it, was like: Oh, I’m a man trapped in a female body. I would’ve just gone down that road if it had been there. But I’m so glad it wasn’t, because I really like being this kind of unusual woman. I like making this new space in the world. "
― J. Jack Halberstam , Female Masculinity
