4
" Under the tossing ocean the voice of the waters was in my ears—a low, sweet voice, intimate, mysterious. Through singing foam and broad, green, glassy depths, by whispering sandy channels atrail with sea-weed, and on, on, out into the vague, cool sea, I sped, rising to the top, sinking, gliding. Then at last I flung myself out of water, hands raised, and the clamor of the gulls filled my ears. "
― Robert W. Chambers , In Search of the Unknown
6
" It is well known how the book spread like an infectious disease, from city to city, from continent to continent, barred out here, confiscated there, denounced by press and pulpit, censured even by the most advanced of literary anarchists. No definite principles had been violated in those wicked pages, no doctrine promulgated, no convictions outraged. It could not be judged by any known standard, yet, although it was acknowledged that the supreme note of art had been struck in "The King in Yellow," all felt that human nature could not bear the strain nor thrive on words in which the essence of purest poison lurked. The very banality and innocence of the first act only allowed the blow to fall afterwards with more awful effect. "
― Robert W. Chambers , The Yellow Sign and Other Stories
18
" Where the slanting forest eaves,
Shingled tight with greenest leaves,
Sweep the scented meadow-sedge,
Let us snoop along the edge;
Let us pry in hidden nooks,
Laden with our nature books,
Scaring birds with happy cries,
Chloroforming butterflies,
Rooting up each woodland plant,
Pinning beetle, fly, and ant,
So we may identify
What we've ruined, by-and-by. "
― Robert W. Chambers , In Search of the Unknown
