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" [Dr. Henton] reindorced a lesson my pops tried to teach me with his hands: NEVER EVER EVER back down if you're right. If you have evaluated all the perspectives, gone around the round table, and come back around with the same opinion, then walk right up to the offending party and tell'em why you mad. I realized that as wild as I'd been up to that point, I still curbed my opinion ever so slightly because I was surrounded by conservative white people at Rollins. (202)
You can't idolize and emulate forever. At some point, you gotta cut the cord and go for dolo. I thought of Locke and his idea of tubula rasa. I realized that I needed to build arguments, philosophies, and a style grounded in my era and experiences.
....I remember she called me a shotgun: "You have all this energy and it's unruly, but like a shotgun, you need the barrel to direct the buckshot just enough." (203)
That was it for me. I wanted power, I wanted respect, and I never ever ever anyone to tell me about my face again. (208)
...money, power, and respect drive the world. (211)
People were so competitive and saw every job someone else got as a job that they lost. I didn't agree and always told people what Cam'ron said: "Can't get paid in a earth this big? You worthless kid!" (212) "
― Eddie Huang , Fresh Off the Boat
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" Back then, when the culture was still building, people were loyal to stores, brands, and the cause. The style was retro-nineties, loud colors, vector or photographic driven, skinny jeans, selvage denim, lots of Japanese brands, and hip-hop/street culture content. There was also a political aspect to streetwear. Speaking for myself, I was sick of rocking logos for people. What people started printing their own shirts on AAA or American Apparel blanks, we got to rep the culture through the clothing. In the post-9/11 era, a lot of the more powerful messages about individuality, free speech, and what it was to be American manifested themselves in streetwear. (215) "
― Eddie Huang , Fresh Off the Boat