41
" Poets to Come
POETS to come! orators, singers, musicians to come!
Not to-day is to justify me, and answer what I am for;
But you, a new brood, native, athletic, continental, greater than before known,
Arouse! Arouse
for you must justify me
you must answer.
I myself but write one or two indicative words for the future,
I but advance a moment, only to wheel and hurry back in the darkness.
I am a man who, sauntering along, without fully stopping, turns a casual look upon you, and then averts his face,
Leaving it to you to prove and define it,
Expecting the main things from you. "
― Walt Whitman
52
" The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds,
It coaxes me to the vapor and the dusk.
I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles.
You will hardly know who I am or what I mean,
But I shall be good health to your nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one place, search another,
I stop somewhere waiting for you. "
― Walt Whitman
56
" When the full-grown poet came,
Out spake pleased Nature (the round impassive globe, with all
its shows of day and night,) saying, He is mine;
But out spake too the Soul of man, proud, jealous and unreconciled,
Nay, he is mine alone;
— Then the full-grown poet stood between the two, and took each by the hand;
And to-day and ever so stands, as blender, uniter, tightly holding hands,
Which he will never release until he reconciles the two,
And wholly and joyously blends them. "
― Walt Whitman , Selected Poems
57
" Come, said my Soul
Such verses for my Body let us write, (for we are one,)
That should I after death invisibly return,
Or, long, long hence, in other spheres,
There to some group of mates the chants resuming,
(Tallying Earth’s soil, trees, winds, tumultuous waves,)
Ever with pleas’d smiles I may keep on,
Ever and ever yet the verses owning — as, first, I here and now,
Signing for Soul and Body, set to them my name, "
― Walt Whitman , Leaves of Grass
59
" Song of myself
Now I will do nothing but listen,
To accrue what I hear into this song, to let sounds contribute toward it.
I hear bravuras of birds, bustle of growing wheat, gossip of flames,
clack of sticks cooking my meals,
I hear the sound I love, the sound of the human voice,
I hear all sounds running together, combined, fused or following,
Sounds of the city and sounds out of the city, sounds of the day and night,
Talkative young ones to those that like them, the loud laugh of
work-people at their meals,
The angry base of disjointed friendship, the faint tones of the sick,
The judge with hands tight to the desk, his pallid lips pronouncing
a death-sentence,
The heave'e'yo of stevedores unlading ships by the wharves, the
refrain of the anchor-lifters,
The ring of alarm-bells, the cry of fire, the whirr of swift-streaking
engines and hose-carts with premonitory tinkles and color'd lights,
The steam-whistle, the solid roll of the train of approaching cars,
The slow march play'd at the head of the association marching two and two,
(They go to guard some corpse, the flag-tops are draped with black muslin.)
I hear the violoncello, ('tis the young man's heart's complaint,)
I hear the key'd cornet, it glides quickly in through my ears,
It shakes mad-sweet pangs through my belly and breast.
I hear the chorus, it is a grand opera,
Ah this indeed is music--this suits me. "
― Walt Whitman