13
" It wasn't enough to push open the doors. You had to change minds. How could girls truly make their mark if their role models were houseplants, if their fashions scarcely allowed them to breathe? If any expression of opinion on any subject was considered by young men to be a threat? And even more so, how could they escape the basic fact that no matter how horrid the boys were, the young women still wanted to please them - because what choice had they, really? Where could they go besides back to their own homes, where they would rest under the heavy thumbs of their own mothers, or into the home of a man - with the hopes that this man would be indulgent, like Papa, and not oppressive or cruel, like so many others? "
― Elizabeth Letts , Finding Dorothy
17
" When English author Anna Sewell wrote Black Beauty, in the late nineteenth century, she said that her aim was to “induce kindness, sympathy, and an understanding treatment of horses.” Though now considered a children’s classic, the book was originally intended for an adult audience. Narrated from the horse’s point of view, the novel describes Black Beauty’s life, from his earliest memory, of “a large pleasant meadow with a pond of clear water in it” to his wretched existence pulling a heavy load for a cruel peddler. The sentimental and emotionally wrenching book was wildly popular, quickly becoming a bestseller first in England and then in the United States, where it became a favorite of the progressive movement. Sewell’s book was the first to popularize interest in the plight of the horse and to generate widespread concern about the beast of burden’s treatment. "
― Elizabeth Letts , The Eighty-Dollar Champion: Snowman, the Horse That Inspired a Nation
