144
" I replied that since he was a friend of mine, I could not betray him. Then the court waxed wrath, and the judge talked a great deal about my duty to the state, and society, and other things I did not understand, and bade me tell where my friend had flown. By this time I was becoming wrathful myself, for I had explained my position. “But I choked my ire and held my peace, and the judge squalled that I had shown contempt for the court, and that I should be hurled into a dungeon to rot until I betrayed my friend. So then, seeing they were all mad, I drew my sword and cleft the judge’s skull; then I cut my way out of the court, and seeing the high constable’s stallion tied near by, I rode for the wharfs, where I thought to find a ship bound for foreign parts. "
― Robert E. Howard , Conan (Book 1)
147
" And as if the empty sound struck a kindred chord in his soul, a rush of revulsion swept over him. His mirth fell away from him like a mask, and his face was suddenly old, his eyes worn. The unreasoning melancholy of the Cimmerian fell like a shroud about his soul, paralyzing him with a crushing sense of the futility of human endeavor and the meaninglessness of life. His kingship, his pleasures, his fears, his ambitions, and all earthly things were revealed to him suddenly as dust and broken toys. The borders of life shrivelled and the lines of existence closed in about him, numbing him. Dropping his lion head in his mighty hands, he groaned aloud. "
― Robert E. Howard , The Coming of Conan the Cimmerian (Conan the Cimmerian, #1)
149
" Whence came Natohk?” rose the Shemite’s vibrant whisper. “Out of the desert on a night when the world was blind and wild with mad clouds driven in frenzied flight across the shuddering stars, and the howling of the wind was mingled with the shrieking of the spirits of the wastes. Vampires were abroad that night, witches rode naked on the wind, and werewolves howled across the wilderness. On a black camel he came, riding like the wind, and an unholy fire played about him, the cloven tracks of the camel glowed in the darkness. When Natohk dismounted before Set’s shrine by the oasis of Aphaka, the beast swept into the night and vanished. And I have talked with tribesmen who swore that it suddenly spread gigantic wings and rushed upward into the clouds, leaving a trail of fire behind it. No man has seen that camel since that night, but a black brutish man-like shape shambles to Natohk’s tent and gibbers to him in the blackness before dawn. I will tell you, Conan, Natohk is – look, I will show you an image of what I saw that day by Shushan when the wind blew aside his veil! "
― Robert E. Howard , The Coming of Conan the Cimmerian (Conan the Cimmerian, #1)
151
" Torches flared murkily on the revels in the Maul, where the thieves of the east held carnival by night. In the Maul they could carouse and roar as they liked, for honest people shunned the quarters, and watchmen, well paid with stained coins, did not interfere with their sport. Along the crooked, unpaved streets with their heaps of refuse and sloppy puddles, drunken roisterers staggered, roaring. Steel glinted in the shadows where wolf preyed on wolf, and from the darkness rose the shrill laughter of women, and the sounds of scufflings and strugglings. Torchlight licked luridly from broken windows and wide-thrown doors, and out of those doors, stale smells of wine and rank sweaty bodies, clamor of drinking-jacks and fists hammered on rough tables, snatches of obscene songs, rushed like a blow in the face. "
― Robert E. Howard , The Coming of Conan the Cimmerian (Conan the Cimmerian, #1)
152
" They were statues, apparently of iron, black and shining as if continually polished. They were life-size, depicting tall, lithely powerful men, with cruel hawk-like faces. They were naked, and every swell, depression and contour of joint and sinew was represented with incredible realism. But the most life-like feature was their proud, intolerant faces. These features were not cast in the same mold. Each face possessed its own individual characteristics, though there was a tribal likeness between them all. There was none of the monotonous uniformity of decorative art, in the faces at least. "
― Robert E. Howard , The Coming of Conan the Cimmerian (Conan the Cimmerian, #1)
155
" She, you know, she, she attacked my son, and there was a bit of a struggle, and in the end I had to pin her up against the wall with one of the dining room chairs while my son hit her over and over and over again with a baseball bat. And she just wouldn’t quit, and he hit her and hit her, and there were these awful kind of crunching and squishing sounds where he was pulverizing her skull. And her head flattened on the side that he was hitting her but she was still so strong, and I think some of her brains got in my hair and there was this awful stench, this terrible smell of rotting flesh and death and fresh blood. "
― Robert E. Howard , The Zombie MEGAPACK ®