71
" They listened to the last enchantments of the Middle Ages, heard the horns of Elfland, and made designs on the culture that our own age is only beginning fully to appreciate. They were philologists and philomyths: lovers of logos (the ordering power of words) and mythos (the regenerative power of story), with a nostalgia for things medieval and archaic and a distrust of technological innovation that never decayed into the merely antiquarian. Out of the texts they studied and the tales they read, they forged new ways to convey old themes—sin and salvation, despair and hope, friendship and loss, fate and free will—in a time of war, environmental degradation, and social change. "
― Philip Zaleski , The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C.S. Lewis, Owen Barfield, Charles Williams
76
" Tolkien said of himself that “I am in fact a Hobbit (in all but size),” he spoke the truth, not only about his material likes (trees, farms, tobacco, mushrooms, plain English food) and dislikes (cars, French cooking, early rising) but also about the disposition of his soul. He, like a hobbit, was at home in his shire; he, like a hobbit, trusted the cosmos—but not necessarily the powers that held sway on earth. "
― Philip Zaleski , The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C.S. Lewis, Owen Barfield, Charles Williams
78
" They shared much with Bloomsbury, including love of beauty, companionship, and conversation, but they differed from their older London counterpart in their religious ardor, their social conservatism, and their embrace of fantasy, myth, and (mostly) conventional literary techniques instead of those dazzling experiments with time, character, narrative, and language that mark the modernist aesthetic. "
― Philip Zaleski , The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C.S. Lewis, Owen Barfield, Charles Williams