2
" History was not simply a catalogue of the dead and buried and benighted, but rather a vast new world to be pioneered; ...if you approached the past generously, so to speak—its people as humans, not facts, as modern in their time as we were in ours, who thought and felt as we do, the dead would live again, our equals, not our old-fashioned, hopelessly unenlightened, and backward inferiors. Humanity, to be fully known, had to be seen as changeless as well as ever changing. "
― Tony Hendra , Father Joe: The Man Who Saved My Soul
5
" Like the rest of Holy Week, Easter is also a terrific story. It starts as tragedy: the hero broken and bloody, against all expectation dead, his followers' joyful hope in him entombed with his corpse, the rock rolled into place, sealing their despair.
But the curtain doesn't fall there. The next morning at dawn they discover the rock has been rolled back. The tomb is empty, the body's gone! A missing corpse? Great stuff. A whisper of comedy. Now a touch of farce as Mary Magdalen and the guys chase frantically around looking for help, or the corpse, when suddenly, out of nowhere, up it pops—alive!
Of course it's Jesus, who's done the impossible and beaten death.
And they're so amazed they think he's the gardener! It's a payoff way beyond the Hollywood ending: all the flooding emotion and uplift of a tragedy followed by all the bubbling joy and optimism of a comedy.
Is that possible? Not just to live happily ever after but to die—and still live happily ever after? It's the most audacious claim of Christianity, the one element that marks the brand indelibly, that trumps the claims of all other major faiths. "
― Tony Hendra , Father Joe: The Man Who Saved My Soul
7
" The Offices rerooted me in a tradition where, monk or not, I would always be at home. From long ago I knew the power of their repetition, the incantatory force of the Psalms. But they had an added power now. As a kid, the psalmist (or psalmists) had seemed remote to me, the Psalms long prayers which sometimes rose to great poetry but often had simply to be endured. For a middle-aged man, the psalmists' moods and feelings came alive. One of the voices sounded a lot like a modern New Yorker, me or people I knew: a manic-depressive type A personality sometimes up, more often down, sometimes resigned, more often pissed off, railing about his sneaky enemies and feckless friends, always bitching to the Lord about the rotten hand he'd been dealt. That good old changelessness. "
― Tony Hendra , Father Joe: The Man Who Saved My Soul
13
" But does contemptus mean 'contempt,' dear? Of course not. That would imply arrogance, superiority, pride. So much that we call worldly is actually just flawed or being seen through a cracked lens. Imperfect or imperfectly understood. Who are we to judge as contemptible a thing or person whose existence God sustains? Everything, however imperfect, has its purpose.
No, Tony dear, contemptus mundi means 'detachment from the world,' seeing the world sub specie aeternitatis. Enduring or celebrating it, but never forgetting—even when it seems perfect and forever—that as the Bible says: 'all this shall pass like grass before the wind. "
― Tony Hendra , Father Joe: The Man Who Saved My Soul
15
" The spiritual muscles I hadn't used for decades began to acquire some tone, and since they were Catholic muscles too, it was natural to look for a church to work out in.
It was hard. Appalling though the predations exacted on the monastic liturgy were, they were nothing compared to the desecration exacted on the secular. Latin was gone entirely, replaced by dull, oppressive, anchorman English, slavishly translated from its sonorous source to be as plain and "direct" as possible. It didn't seem to have occurred to the well-meaning vandals who'd thrown out baby, bath, and bathwater that all ritual is a reaching out to the unknowable and can be accomplished only by the noncognitive: evocation, allusion, metaphor, incantation—the tools of the poet. "
― Tony Hendra , Father Joe: The Man Who Saved My Soul
