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John William Tuohy QUOTES

41 " After another second had passed I added, “But you’re pretty, pretty,” and as soon as I said it I thought, “Pretty, pretty? John, you’re an idiot.” But she squeezed my hand and when I looked at her I saw her entire lovely face was aglow with a wonderful smile, the kind of smile you get when you have won something.
“Why do you rub your fingers together all the time?” she asked me, and I felt the breath leave my body and gasped for air. She had seen me do my crazy finger thing, my affliction. I clenched my teeth while I searched for a long, exaggerated lie to tell her about why I did what I did. I didn’t want to be the crazy kid with tics, I wanted to be James Bond 007, so slick ice avoided me.
“It’s okay,” she said. “I bite my nails, see?” and she showed me the backs of her hands. Her finger nails were painted a color I later learned was puce.
“My Dad, he blinks all the time, he doesn’t know why either,” she continued. She looked down her feet and said, “I shouldn’t have asked you that. I’m really nervous and I say stupid things when I’m nervous. I’m a girl and this is my first date, and for girls this really is a very big deal.”
I understood completely. I was so nervous I couldn’t feel my toes, so I started moving them up and down to make sure they were still there.
“It’s all right,” I said. “I don’t know why I do that with my fingers; it’s a thing I do.”
“Well, you’re really cute when you do it,” she said.
“I know,” I said, and I don’t know why I said it, but I did. "

John William Tuohy , No Time to Say Goodbye: A Memoir of a Life in Foster Care

42 " While I may not have been a bastion of good mental health, many of these boys were on their way to becoming crazier than they already were. Most couldn’t relate to other people socially at all, because they only dealt inappropriately with other people or didn’t respond to overtures of friendship or even engage in basic conversations.
Some became too familiar with you too fast, following their new, latest friend everywhere, including the showers, insisting on giving you items that were dear to them and sharing everything else. They also had the awful habit of touching other people, putting their hands on you as a sign of affection or friendship, and for people like myself, with my affliction and disdain for being touched unless I wanted to be touched, these guys were a nightmare. It was often difficult to get word in edgewise with these kids, and when I did, they interrupted me—not in some obnoxious way, but because they wanted to be included in every single aspect of everything you did.
The other ones, the stone-cold silent ones, reacted with deep suspicion toward even the slightest attempt to befriend them or the smallest show of kindness. If you touched some of these children, even accidentally, they would warn you to back away. They didn’t care what others thought of them or anything else, and almost all their talk concerned punching and hurting and maiming.
I noticed that most of these kids, the ones who were truly damaged, were eventually filtered out of St. John’s to who knows where. Institutions have a way of protecting themselves from future problems. "

John William Tuohy , No Time to Say Goodbye: A Memoir of a Life in Foster Care

49 " So he sings,” he continued as if Denny had said nothing. “His solo mio, that with her in his life he is rich because she is so beautiful that she makes the sun more beautiful, you understand?” And at that he dropped the hoe, closed his eyes and spread out his arms wide and with the fading sun shining on his handsome face he sang:
Che bella cosa è na jurnata 'e sole
n'aria serena doppo na tempesta!
Pe' ll'aria fresca pare già na festa
Che bella cosa e' na jurnata 'e sole
Ma n'atu sole,
cchiù bello, oi ne'
'O sole mio
sta 'nfronte a te!
'O sole, 'o sole mio
sta 'nfronte a te!
sta 'nfronte a te!

It looked like fun. We dropped our tools and joined him, belting out something that sounded remarkably like Napolitano. We sang as loud as we could, holding on to each note as long as we could before we ran out of breath, and then we sang again, occasionally dropping to one knee, holding our hands over our hearts with exaggerated looks of deep pain. Although we made the words up, we sang with the deepest passion, with the best that we had, with all of our hearts, and that made us artists, great artists, for in that song, we had made all that art is: the creation of something from nothing, fashioned with all of the soul, born from joy.
And as that beautiful summer sun set over Waterbury, the Brass City, the City of Churches, our voices floated above the wonderful aromas of the garden, across the red sky and joined the spirits in eternity. "

John William Tuohy , No Time to Say Goodbye: A Memoir of a Life in Foster Care