141
" There’s this part in Spanglish, one of Adam Sandler’s chick flicks. He and his kids’ nanny share dinner at his restaurant. It’s just one meal, a few hours. The narrator, the nanny’s daughter, says, “My mother has often referred to that evening at the restaurant as the conversation of her life.” I’m pretty sure I rolled my eyes when I heard it and said, ‘That was some conversation.’
But now, with her, standing at the edge of goodbye, all I can think is . . . that was some conversation. "
― Kennedy Ryan , Long Shot (Hoops, #1)
146
" I hate him. I hate them all. I hate the wretched, pitiful sound of my own tears. I hate the sting of shame piercing my heart like a thorn. I hate my stupidity, my naiveté believing Jared Foster wanted someone like me instead of someone like Cindy. I hate the way my thighs spread, stretching the denim of my jeans. The way my legs rub together when I walk. I hate this roll of fat hanging over my waistband. This body is an inadequate shell that doesn’t reflect the powerful, confident person I am inside. And yet there’s a part of me that knows it shouldn’t matter. That knows whether I’m a size 2 or 22, I’m still smart and ambitious and kind and generous. And yes, speak Italian, Russian, and a little Chinese. It shouldn’t matter, but I have to be honest with myself as I weep uncontrollably and admit that it does. Right now, it does. "
― Kennedy Ryan , Block Shot (Hoops #2)
147
" You ask me today if I love you, if I take you as my own to have and to hold, and my heart replies yes. Always, evermore, even after. Still. Not just today before a crowd, but when we are alone, you and I, through years, through pain, My heart will answer again and again, still. "
― Kennedy Ryan , Still (Grip, #2)
154
" There was only one Mama, and the world has lost her, but it keeps turning. But for me, I live in that void where her love and her voice and her kindness used to be. And in so many ways, even moving forward, I’m standing still. I am suddenly aware of everyone’s compassion, this collective kindness for which I was unprepared. It penetrates the wall I use to insulate my grief and hide the lingering pain. I hate that these tears keep assaulting me when I least expect them. That sadness ambushes me. That the desolation Mama’s absence creates inside of me is inescapable, even here at Thanksgiving dinner in front of Rhyson’s family before we’ve even served dessert. And I hate this awkward quiet while they all try to figure out if it’s okay to move on or if they wait for me to get it together. Only this time I can’t. I’m trapped in this moment while I reach for my composure in vain. Breathing in and deeply usually helps, but I’m too far gone. My heart is too raw today. A sob erupts into the silence. I’m horrified that my body is betraying me this way. That my emotions are this undisciplined, wet spill over my cheeks. I squeeze the linen napkin in my lap until I’m sure I’ll draw blood from it, but the tears won’t stop. The pain doesn’t stop. I leak it. I lose it. I cannot stop it. I cover my face with "
― Kennedy Ryan , My Soul to Keep (Soul, #1)