142
" [T]he very existence of such powers argues a counterforce. We call powers of the first kind dark, though they may use a species of deadly light... and we call those of the second kind bright, though I think that they may at times employ darkness, as a good man nevertheless draws the curtains of his bed to sleep. Yet there is truth to the talk of darkness and light, because it shows plainly that one implies the other. The tale I read to little Severian said that the universe was but a long word of the Increate's. We, then, are syllables of that word. But the speaking of any word is futile unless there are other words, words that are not spoken. If a beast has but one cry, the cry tells nothing; and even the wind has a multitude of voices, so that those who sit indoors may hear it and know if the weather is tumultuous or mild. The powers we call dark seem to me to be the words the Increate did not speak... and these words must be maintained in a quasi-existence, if the other word, the word spoken is to be distinguished. What is not said can be important - but what is said is more important... And if the seekers after dark things find them, may not the seekers after bright find them as well? And are they not more apt to hand their wisdom on? "
― Gene Wolfe , Sword & Citadel
148
" There is a musical instrument, one that is in fact little more than a toy, that we in Viron used to call Molpe’s dulcimer. Strings are arranged in a certain way and drawn tight above a chamber of thin wood that swells the sound when they are strummed by the wind. Horn made several for his young siblings before we went into the tunnels; when I made them, I dreamed of making a better one someday, one constructed with all the knowledge and care that a great craftsman would bring to the task, a fitting tribute to Molpe. I have never built it, as you will have guessed already. I have the craft now, perhaps; but I have never had the musical knowledge the task would require, and I never will. If I had built it, it might have sounded something like that, because I would have made it sound as much like a human voice as I could; and if I were the great craftsman I once dreamed of becoming, I would have come very near—and yet not near enough. That is how it was with the Mother’s voice. It was lovely and uncanny, like Molpe’s dulcimer; and although it was not in truth very remote as well as I could judge, there was that in it that sounded very far away indeed. I have since thought that the distance was perhaps of time, that we heard a song on that warm, calm evening that was not merely hundreds but thousands of years old, sung as it had been sung when the Short Sun of Blue was yet young, and floating to us across that lonely sea with a pain of loss and longing that my poor words cannot express. No, not even if I could whisper them aloud to you of the future, and certainly not as I am constrained to speak to you now with Oreb’s laboring black wingfeather. Nor with a quill from any other bird that ever flew. * "
― Gene Wolfe , On Blue's Waters (The Book of the Short Sun, #1)
153
" We are not cruel. We take no delight in what we do, except in doing it well, which means doing it quickly and doing neither more nor less than the law instructs us. We obey the judges, who hold their offices because the people consent to it. Some individuals tell us we should do nothing of what we do, and that no one should do it. They say that punishment inflicted with cold blood is a greater crime than any crime our clients could have committed. ‘There may be justice in that, but it is a justice that would destroy the whole Commonwealth. No one could feel safe and no one could be safe, and in the end the people would rise up – at first against the thieves and the murderers, and then against anyone who offended the popular ideas of propriety, and at last against mere strangers and outcasts. Then they would be back to the old horrors of stoning and burning, in which every man seeks to outdo his neighbor for fear he will be thought tomorrow to hold some sympathy for the wretch dying today. "
― Gene Wolfe , The Sword of the Lictor
158
" She waits. For what I do not know. It may be for her worshippers to return again. Or for us to become her new worshippers, as we well may. Or perhaps merely for death. She shaped herself, I believe, a woman of the Vanished People so that they would love her. We are here now, and so she shaped for me a woman of my own race—a woman beside whom Chenille would stand like a child—who could sing and speak to me. Beneath it the old sea goddess waited, and was not of our human race, nor of the race of the Vanished People, whom I was to come to know. I once had a toy, a little wooden man in a blue coat who was moved by strings. When I played with him, I made him walk and bow, and spoke for him. I practiced until I thought myself very clever. One day I saw my mother holding the two sticks that held his strings, and my little wooden man saluting my youngest sister much more cleverly than I could have made him do it, and laughing with his head thrown back, then mourning with his face in his hands. I never spoke of it to my mother, but I was angry and ashamed. * "
― Gene Wolfe , On Blue's Waters (The Book of the Short Sun, #1)
