61
" Years and years ago, I read a great interview with Jam and Lewis, the R&B producers, in which they described what it was like to be members of Prince's band. They'd sit down, and Prince would tell them what he wanted them to play, and they'd explain that they couldn't--they weren't quick enough, or good enough. And Prince would push them and push them until they mastered it, and then just when they were feeling pleased with themselves for accomplishing something they didn't know they had the capacity for, he'd tell them the dance steps he needed to accompany the music.
This story has stuck with me, I think, because it seems like an encapsulation of the very best and most exciting kind of creative process. "
― Nick Hornby , The Polysyllabic Spree
67
" The difference between sex with David and sex with Stephen is like the difference between science and art. With Stephen it's all empathy and imagination and exploration and the shock of the new, and the outcome is... uncertain, if you know what I mean. I'm engaged by it, but I', mot necessarily sure what its all about. David, on the other hand, presses this button, then that one, and bingo! It's like operating a lift - just as romantic, but actually just as useful. "
― Nick Hornby , How to Be Good
73
" You're fucked. You thought you were going to be someone, but now it's obvious you're nobody. You haven't got as much talent as you thought you had, and there was no Plan B, and you got no skills and no education, and now you're looking at forty or fifty years of nothing. Less than nothing, probably. That's pretty heavy. That's worse than having the brain thing, because what you got now will take a lot longer to kill you. You've got the choice of a slow, painful death, or a quick, merciful one. "
― Nick Hornby , A Long Way Down