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41 " ARTHUR: (indicates rain) Couldn't you have peed before we went under?YUSUF: Sorry.The front door OPENS and Eames climbs in, soaked.EAMES: Bit too much free champagne before takeoff, Yusuf?YUSUF: Ha bloody ha. "
― Christopher J. Nolan , Inception: The Shooting Script
42 " ARIADNE: Do you use a timer? ARTHUR: No, I have to judge it myself. Once you're all asleep in room 528, I wait 'til Yusuf starts his kick...ARIADNE: How will you know?ARTHUR: His music warns me it's coming, then the van hitting the barrier of the bridge should be unmistakable-that's when I blow the floor out from underneath us and we get a nice synchronized kick. Too soon, and we won't get pulled out; too late and I won't be able to drop us.ARIADNE: Why not?ARTHUR: The van will be in free fall. I can't drop us without gravity. "
43 " Some men aren't looking for anything logical, like money. They can't be bought, bullied, reasoned, or negotiated with. Some men just want to watch the world burn. "
― Christopher J. Nolan
44 " Bane: We take Gotham from the corrupt! The rich! The oppressors of generations who have kept you down with myths of opportunity, and we give it back to you... the people. Gotham is yours. None shall interfere. Do as you please. Start by storming Blackgate, and freeing the oppressed! Step forward those who would serve. For and army will be raised. The powerful will be ripped from their decadent nests, and cast out into the cold world that we know and endure. Courts will be convened. Spoils will be enjoyed. Blood will be shed. The police will survive, as they learn to serve true justice. This great city... it will endure. Gotham will survive! "
45 " EAMES: Word is, you're not welcome in these parts.COBB: Yeah?EAMES: There's a price on your head from Cobol Engineering. Pretty big one, actually.COBB: You wouldn't sell me out.Eames looks at Cobb, offended.EAMES: 'Course I would.COBB: (smiles) Not when you hear what I'm selling.A ramshackle balcony overlooking a busy street. Eames pours.COBB: Inception.Eames' glass stops halfway to his mouth.COBB: Don't bother telling me it's impossible.EAMES: It's perfectly possible. Just bloody difficult.COBB: That's what I keep saying to Arthur.EAMES: Arthur? You're still working with that stick-in-the-mud?COBB: He's a good point man.EAMES: The best. But he has no imagination. If you're going to perform inception, you need imagination.COBB: You've done it before?EAMES: Yes and no. We tried it. Got the idea in place, but it didn't take.COBB: You didn't plant it deep enough?EAMES: It's not just about depth. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art. "
46 " EAMES: There's a man here. Yusuf. He formulates his own versions of the compound.COBB: Let's go see him.EAMES: Once you've lost your tail.(Cobb reacts)Back by the bar, blue tie. Came in about two minutes after we did.COBB: Cobol Engineering?EAMES: They pretty much own Mombasa.Cobb glances over the balcony. COBB: Run interference. We'll meet downstairs in half an hour.EAMES: Back here?COBB: Last place they'd expect.Eames downs his drink. Rises. Walks over to the Businessman.EAMES: Freddy!The Businessman looks up, awkward.EAMES: Freddy Simmonds, it is you!Cobb nonchalantly SLIPS over the balcony DROPPING HARD into the midst of the crowd on the street below.EAMES: (looks harder) Oh. No, it isn't.The Businessman looks past Eames but Cobb has vanished. "
47 " ARTHUR: He's out.ARIADNE: Wait, Cobb-I'm lost. Whose subconscious are we going into?COBB: Fischer's. I told him it was Browning's so he'd come with us as part of our team.ARTHUR: (impressed) He's going to help us break into his own subconscious.COBB: That's the idea. He'll think that his security is Browning's and fight them to learn the truth about his father. "
48 " SAITO: Care for a lift, Mr. Cobb?COBB: (jumping in) What brings you to Mombasa, Mr. Saito?SAITO: I have to protect my investment.Eames stands on pavement. The car pulls up. Cobb beckons from the rear window. Eames looks at Saito. Back to Cobb.EAMES: This your idea of losing a tail?COBB: (shrugs) Different tail. "
49 " Bane: Peace has cost you your strength! Victory has defeated you! "
50 " And the family comes back in as Cooper releases Murph’s hand, stepping back to let Murph’s kids and grandkids swarm over her … He watches them, their love, as if from another dimension. A man out of time. A ghost. "
― Christopher J. Nolan , Interstellar: The Complete Screenplay with Selected Storyboards
51 " Bane: For you. "
52 " Do you know what it is to be a lover? Half of a whole? "
53 " Cobb: You're waiting for a train. A train that'll take you far away. You know where you hope this train will take you. But you can't know for sure. Yet it doesn't matter. Now, tell me why?Mal: Because you'll be together! "
54 " DR MANN You have attachments. I’m not supposed to, but even without family, I can promise you that the yearning to be with other people is massively powerful. Our instincts, our emotions, are at the foundations of what makes us human. They’re not to be taken lightly. "
55 " MANN – WAS – MANN – "